Category: Recommendations

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NEW BREWS FOR THE HOLIDAY SEASON

Three breweries. Ten beers. Tons of fla,vor. Breweries everywhere are coming out with their seasonal and holiday brews to warm your cockles (look it up). Below is just a fraction of what’s available but each is guaranteed to please. Happy holidays!

 

Samuel Adams

 

 

Ruby Mild. The company says this limited release is inspired by the English mild ales popular in the 1800s. Its ruby color and prominent malty aroma comes from seven malts, including traditional English malts like Marris Otter and its light citrusy notes are attributable to East Kent Golding hops. There also are intriguing clove and brown butter elements in the nose. This pleasant easy drinking brew (5.6 ABV, 20 IBU) sports a light sour cherry flavor, with malty and chalky notes, finishing with a nice hoppy lift. An ideal accompaniment to holiday meals.

 

 

 

Fat Jack Double Pumpkin Ale. With more than 28 pounds of pumpkin per barrel, accented with more of those East Kent Golding hops and malts including rye Special B and smoked malt, this selection from the Small Batch catalogue actually does show classic pumpkin pie spices like cinnamon, nutmeg and allspice. In the mouth, roasted and smoked malts deliver hints of molasses and caramel and pretty high alcohol (8.5 ABV 25 IBU) but still with a smooth mouth feel. Obviously perfect for Thanksgiving.

 

 

Tetravis. A new addition to the Barrel Room Collection, Tetravis is modeled after a Belgian-style Quadrupel – blended, aged, and cask conditioned. While brewed with low bitterness Hallertau Mittelfrueh noble hops and Special B, Carafa 1, and Munich malts, it gets its unique character from blending in a special Belgian-style sour ale they call “Kosmic Mother Funk” that is a blend of Brettanomyces yeast and bacteria aged in Hungarian barrels for a year (and is blended into each Barrel Room Collection beer in varying levels). This one also is bottle conditioned with Champagne yeast. All this results in a heady brew that variously exhibits fruitcake, plum, currant, caramel, sour cherry, earth, molasses, raisin, fig, clove, and spice! With all this complexity and high alcohol (10.2 ABV, 18 IBU), this one is best with dessert or by itself after dinner.

 

Deschutes


Hop Trip Fresh Hop Pale Ale. “Fresh hop” means the Deschutes team brings just harvested hops from the fields of nearby Salem to the brewery in Bend within four hours of picking. Those include Salmon Safe Nugget, Centennial, and Fresh Crystal hops that are balanced with NW Pale, Extra Special, Cara-Munich, and Carapils malts. Refreshing citrus, pine and resin notes meld with grapefruit, spice, caramel, and tropical notes. Even at a friendly 5.3 ABV and 38 IBU, it delivers solid, mouthfilling, citrusy and spicy flavors nicely balanced with malty character.

 

 

Jubelale. A festive winter warmer ale, Jubelale, now in its 26th year, actually is the first brew ever bottled by Deschutes. With six types of hops and five types of malts, I found this impressively flavorful and complex. It opened with roasted coffee and chestnut (or was it chicory?) aromas that carried into the mouth. That palate carried its 6.7 ABV well and showed excellent depth, offering mocha and malt character, with a sharp hoppy (70 IBU) lift in the finish.

 

 

Chasin’ Freshies Fresh Hop IPA. Another fresh hop beer, this one comes from the Bond Street Series (their seasonal special release program). In contrast to Hop Trip, it is made with newly harvested Bravo and Amarillo hops (note: last year’s version emphasized Cascade hops) and at 65 IBU, nearly three-fourths more IBU. These are complimented with Pilsner Malt and Flaked Oats
. And it sure is fresh. There is a lot of grapefruit, fairly high alcohol (7.2 ABV), but also an earthy note and an intriguing suggestion of green grass.

 

The next two beers, like Jubelale, are best suited with dessert or after dinner. They also are capable of aging for up to a year.

 

Black Butte Porter XXV. This 25th Birthday Reserve of Deschutes’ flagship  beer uses cocoa nibs and roasted coffee from local producers. A final aging in whiskey casks imparts intensity and complexity. This well structured drink has so much going on I picked up layers of chocolate, coffee, anise and dried fruit – fig, currant, berry, plum, cherry, and date. And it packs quite a punch with 11.3 ABV and 65 IBU.

 

 

 

Abyss 2013 Reserve Imperial Stout. The eighth vintage of this extreme stout is a powerhouse – note its 11.0 ABV and 70 IBU. It is made with licorice and blackstrap molasses, vanilla bean and cherry bark all aged in bourbon, pinot noir and Oregon oak barrels. What you get out of all this is a concoction that offers hints of molasses, licorice, chocolate, and caramel in a frame of great depth and complexity.

 

 

Oskar Blues

 

Old Chub. A really fascinating Scottish strong ale, its generous amounts of malted barley and specialty grains, with a dash of beechwood-smoked malt result in a full flavored brew – also evidenced by it 8% ABV and 60 IBU. Earthy aromas of mocha, date, caramel, and toasty brown sugar are followed by flavors of roasted grains, sweet malt, caramel raisin, cocoa, blueberry, mocha, and spice. Whew!

 

 

Ten Fidy Imperial Stout. And then there is this, an impressive stout, large scaled in every way (10.5 ABV 98 IBU). It is strong and full and complex but not heavy. Start with an opening blast of resin, molasses, roasted barley, oat, chocolate, caramel, and coffee balanced with strong hoppy character. In the mouth there is more of the same but you will immediately notice a roasted malt flavor (likely from the two-row malt and chocolate malt) finishing with a nice bitter note that actually seems understated given its high IBU.

 

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RIDGE LYTTON SPRINGS, THE EPITOME OF ZINFANDEL

FROM MY CELLAR:

 

Zinfandel is a curiously underappreciated variety. Forty years after its renaissance I still find myself having to explain to family, friends and acquaintances what it is, let alone just how great it can be. Even among my wine loving associates I am one of the few to list it among my favorite varieties.

 

So, I have made it part of my mission as a wine writer to sing its praises and have done so for all of the twenty years I have been writing about wine. I recently tasted more examples of what the grape can produce in California. I have a post on the website reviewing some impressive Zinfandel wines I tasted recently. In this post, I turn you on to the pleasures of the 2004 Ridge Vineyards “Lytton Springs” ($33 upon release in 2006).

 

It is worth noting that although the wine is 79% Zinfandel, 18% Petite Sirah, and 3% Carignane, the label focuses the vineyard. This is a common practice at Ridge, as CEO/Winemaker Paul Draper (who has been at Ridge over fifty years and is recognized as one of the world’s great winemakers) is known for his emphasis on site-specific wines. And Lytton Springs is not just a great zinfandel vineyard; it has been identified as one of the great vineyards in the world. We shouldn’t be surprised it is located in the Dry Creek Valley, which is well known as one of the most hospitable places to grow zinfandel.

Lytton Springs lies just north and west of Healdsburg on benchland and rolling hills. It benefits from foggy mornings followed by by warm, sunny afternoons and cool evenings. This and the not particularly fertile gravelly clay soils ensure that the grapes ripen slowly and achieve a balance that often proves elusive in other zinfandel vineyards.

 

Ridge had purchased Lytton Springs grapes beginning in 1972; then over the years took opportunities to buy various blocks until by 1995 they owned the complete estate including the winery. Sustainable and organic practices are followed in the vineyard and the winery. For instance, the new winery emphasizes energy conservation, solar energy, and environmentally sustainable construction materials.

 

In the vineyard, Lytton Springs supports 100 plus-year-old zinfandel vines planted in a “field blend” with petite sirah, carignane, mataro (also known as mourvèdre), and grenache. Draper’s and Ridge Vice President of Winemaking-Lytton Springs John Olney’s respect for the site is evident in the sustainable farming practices and moving it toward organic certification. This respect also means they maintain the field blend and focus on harvesting the grapes at optimal ripeness (too many wineries today harvest overripe grapes) to achieve wines that balance fruit and soil characteristics with manageable tannins and alcohol. Although Zinfandel can reach extremely high alcohol, this 2004 wine came in at an elevated but reasonable 14.5%.

 

The 2004 Lytton Springs is a beacon of what the zinfandel grape can achieve when grown in the right place and crafted by the right hands. Each variety and each lot were fermented separately with the natural yeast and the wine was allowed to undergo natural malolactic fermentation. After light egg white fining, it was aged on the lees and spent thirteen months in air-dried American oak.

Even at nine years of age the wine was still fresh and vibrant when I tasted it. Its aromas opened with pure brambly blackberry, accented with caramelized wood notes and hints of stone, and finished with a whiff of black pepper. Its beautiful, sweet tasting fruit was delivered in an excellently firm structure and a seamless texture that allowed the wine to slide deftly across my palate. The wine finished full and rich, with still some tannin. It easily could have kept for a few more years. After time in the glass, hints of black licorice emerged in the nose and especially the mouth.

 

I have been drinking Lytton Springs since the 1970’s (and every vintage since 1990) and the great balance of varietal fruit and terroir this 2004 delivered in an elegant, yet concentrated wine makes this one of my favorite Lytton Springs.

 

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THE INFINITE MONKEY THEOREM: URBAN WINERY SETS THE STANDARD FOR COLORADO WINE

The Infinite Monkey Theorem (IMT) is an urban winery located in the emerging (some say “hip”) RiNo (River North) district of Denver, Colorado. The Infinite Monkey Theorem also is a thought experiment that some have suggested dates as far back as Aristotle. In its simplest form, it basically postulates that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually type something intelligible.

1979 album from the great British Rock group

IMT (the winery) Founder and Winemaker Ben Parsons apparently chose the name because he saw it as an apt metaphor for winemaking. A winemaker essentially takes grape juice; puts it through various treatments; makes certain adjustments; and then hopes it ultimately turns into a delicious finished product.

 

While the probability of the theorem ever being proved is highly questionable (remember, it requires infinity), it’s relevance is vindicated with every new vintage of IMT wine. The winery just celebrated its fifth anniversary and in this short time arguably has garnered more attention and accolades than any other Colorado winery.

 

I had tasted several of the wines before and even attended their legendary “S’wine at the Mine” event at the Food & Wine Classic in Aspen. I also was aware IMT, since its beginning, has made a name for being an innovator and skilled at marketing. This includes its attention grabbing labels and embrace of alternative packaging – namely cans, kegs, and growlers.

 

So, I decided it was time to visit the winery itself. Ben wasn’t around the day I was there but I enjoyed the company of the assistant winemaker Adam Teitelbaum.

 

The winery is housed in a 29,000-square-foot building that used to be the home of a weatherization agency. Today, it is a central member of a rapidly developing neighborhood. This space has allowed IMT to develop its consumer program to include tours, barrel tastings, and service in the Wine Lab tasting room, as well as private events (like a VIP party for the US Pro Cycling event) and weekly open-house parties. It was explained IMT seeks to be in tune with the younger demographic that is coming to characterize the neighborhood, which translate to various efforts to make wine more accessible and fun.

 

 

 

Adam explained, being an urban winery means being deeply involved with its neighborhood. IMT also hosts a regular schedule of community events, often partnering with local restaurants to provide the food. This past summer included live music for
 “First Friday Art Walk”, “Third Thursday Summer Supper & Song”, and painting and yoga classes. There is even a garden on the premises that supplies produce for a local restaurant. IMT also partners with The University of Colorado Cancer Center, donating a portion of all sales to cancer research.

 

The winery also has demonstrated its commitment to Colorado, using almost exclusively grapes from the Grand Valley on Colorado’s Western Slope, not to mention a willingness to experiment with lesser known grape varieties and blends. Adam showed me a good example of this during the tour: resting bottles of (what the winery says is Colorado’s first) Champagne Method sparkling wine, made with Colorado-grown albariño grapes, and just waiting to be hand riddled.

 

IMT will produce about 10,000 cases for the 2012 vintage from 146 tons of grapes. The location has the capacity to produce 25,000 cases from 400 tons of grapes. In the meantime, we tasted through some very good wines. My notes follow.

 

2012 Sauvignon Blanc & Semillon ($20) – green apple and citrus given more intrigue with lightly smoky and pleasantly chalky elements, held up with refreshing acidity

 

2012 Cabernet Franc ($25) – opens with floral, red plum, cassis, and spice that all carry over into a tasty drink showing the promise for this grape in Colorado

 

2012 Syrah ($25) – enticing blackberry fruit with added complexity from mineral, leather, and pepper notes, this is a rich wine, with a luscious texture and solid structure; this was my favorite sample; and it’s sealed with glass stopper; really cool

2013 Syrah fermenting in open top container

The Blind Watchmaker series is the winery’s signature line. I assume it is named after the book “The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe without Design” by evolutionary biologist Richard Dawkins. Unfortunately, I didn’t get a chance to pursue with my guide the relevance of this idea to IMT’s winemaking. Maybe next time. Regardless, the two wines reveal a design to please even the mot discriminating drinker.

 

2012 The Blind Watchmaker White ($25) – viognier and roussanne blend, aged nine months in neutral oak, showed nice butterscotch, honeysuckle and tropical fruits with good structure holding it all up

 

2012 Blind Watchmaker Red ($25) – petit verdot and merlot lead the blend with cabernet franc and syrah plus a dollop of viogier, blackberry, cherry and blueberry are wrapped in vanilla, followed by a whiff of graphite, solid fruit in the mouth flows along a seamless frame

 

IMT also produces varietal Riesling, Chardonnay, Verdelho (that’s right, the Portuguese grape), Petite Sirah, Petite Verdot, Black Muscat, Semillon, Malbec and a Rose, and just introduced its first dessert wine, a 2012 Orange Muscat.

 

The premier blend of the portfolio is the “100th Monkey,” a creative blend of cabernet franc, syrah, petite sirah, and malbec that has received high marks in national wine publications. The “hundredth monkey effect” refers to the proposition that once enough people adopt an idea or action, it can reach a threshold or critical mass that suddenly becomes accepted practice in the broader society. The idea has been promoted in popular culture through such works as Douglas Adams’ “The Hitchhiker’s Guide to the Galaxy” and Ken Keyes, Jr.’s “The Hundredth Monkey.”

 

It is another fitting metaphor, as the folks at IMT seem to be operating on the principle that if they can attract enough people to try their wine, a tipping point will be reached and pretty soon everyone will be drinking it.

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FROM MY CELLAR

FROM MY CELLAR

 

2006 Mayacamas Chardonnay Napa Valley – Mt. Veeder ($35 on release)

This wine is all about delicious subtlety and balance. It reveals aromas of pure lemon and a suggestion of white peach with a layer of butterscotch and a steely note. These qualities carry over in the mouth where they are joined by stony (maybe flinty) qualities and nutty notes. It’s all delivered in a structure that is firm and crisp and picks up some viscosity midpalate, but stays light on its feet.

 

Those of you who prefer big, buttery Chardonnays may not like this as much as I do. I like some of those wines, too. But I find this Mayacamas much more satisfying. Everything is in proportion and no quality is overbearing.

 

The thin, rocky volcanic soil at Mayacamas’ mountain vineyard and the comparatively mild summers and but cold winters are conducive to high acid, intensely flavored grapes. In the cellar, this wine was spared malolactic fermentation and aged six months in larged American oak, then a year in smaller French oak barrels. It is typical for Mayacamas’ Chardonnays to reach maturity at five to eight years of age. And this one seems to have hit the mark right on schedule.

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HOPE FAMILY SHOWCASES THE BEST OF PASO ROBLES

On a recent press trip to Paso Robles, sponsored by Hope Family Wines, our host Austin Hope set the tone for the visit when he said it was his goal to show us the diversity of the region, not just his wines. I welcomed this, not only because Hope’s wines have long been among my favorites but also because I had been to Paso twice before and was eager to see how the region has developed.

 

Paso Robles is the largest American Viticultural Area (AVA) in California. It is also the name of the main town of about 30,000, whose original name was El Paso del Robles (“Passage of the Oaks”). But, after my visits to the area, I think Paso could just be short for “passion.

Austin Hope oversees Hope Family Wines (www.hopefamilywines.com), a family-owned and -operated enterprise encompassing five brands: Liberty School, Treana, Candor, Austin Hope and Troublemaker wines. Austin’s father, Chuck Hope moved his family from the Central Valley to Paso in 1978 to plant wine grapes pioneering families of the region. After growing grapes and developing vineyards throughout the eighties and early nineties, the family became convinced Paso Robles was capable of producing world-class wines and began producing their own wines.

 

They joined a handful of other pioneering families who helped promote the region, not just as a source of fine quality grapes but also as a complete wine travel destination. Today, Austin and Hope Family Wines also epitomize Paso Robles’ reputation for being on the cutting edge, a reputation Austin has fostered by experimenting with Rhone-style blends and multiple vintage wines.

At a tour of the Huerhuero Vineyard, a longtime source for entry level Liberty School wines, on the Eastside of Paso Robles, and of the nearby Hope Family Wines winemaking facility, we learned from General Manager of Vineyard Operations Suhky Sran, Winemaker J.C. Diefenderfer, and Assistant Winemaker Samantha Taylor about the family’s role in developing vineyards throughout Paso Robles and how they work with over 50 family-owned vineyards to produce fruit for the Liberty School wines. The brand had bee created in the 1970’s by the Wagner family of Napa’s Caymus Vineyards and the Hopes collaborated with the Wagners since the late 1980’s to supply cabernet sauvignon grapes. He Hope’s then took over sole responsibility for the brand in 1996.

 

Today, there is a range of varietals that deliver consistent quality for the money and are regularly recognized as a “Good Values” and “Best Buys.” Look for Cabernet Sauvignon (2010, $14), Chardonnay wines (2011, $14), Pinot Noir ($20), and Liberty School Merlot ($16). The wines are made in a more restrained, food friendly style with forward fruit, good varietal character, and moderate alcohol.

 

The Hopes then established Treana Winery in 1996, to produce high-end Rhone-style blends from Paso Robles and Central Coast fruit. JC explained to us the name Treana symbolizes the trinity of natural elements – sun, soil and ocean – that make Paso Robles and the Central Coast exceptional for growing wine grapes.

 

 

 

 

 

 

 

 

To give us a flavor for what this means, we toured the Mer Soleil Vineyard in the Santa Lucia Highlands near Salinas (our only stop outside of Paso Robles). This Monterey County-based vineyard is the long-time major source for Treana White, one of the first white Rhone-style blends and still one of the most highly regarded. The current vintage (2011, $23) is a blend of equal parts viognier and marsanne. Floral and tropical aromatics precede ripe pear and honey flavors combined with a lush texture and balancing acidity.

 

The Treana Red (2010, $45), which Austin considers his flagship wine, is a blend of cabernet sauvignon and syrah. It combines the depth and structure of a Cab, with the fullness and class of syrah. It is a perfect example of Austin’s willingness to work outside-the-box. Not many wineries were combining Rhone and Bordeaux blends when he created this wine almost twenty years ago.

The Hopes also own a vineyard on the Westside of Paso Robles planted primarily to syrah and grenache, with some mourvedre. Austin crafts wines inspired by the Northern Rhône Valley from this estate grown fruit. Known as the Hope Family Vineyard, it is located 20 miles east of the Pacific Ocean in the Templeton Gap district of Paso Robles. The site’s rocky soils of clay and limestone make it ideal for the Rhône varietals to which it is planted.

 

At this site, we were given a fascinating overview of the sustainable farming practices – certified by Sustainability in Practice (SIP), www.sipcertified.com – employed in the vineyard. Beth Vukmanic Lopez, Sustainability in Practice Certification Manager explained how for over 15 years, SIP has helped growers, vineyards and consumers rethink their approach to sustainability. As Beth said, SIP Certified sustainable vineyards and wines is about looking at the whole farm and considering “people, planet and profit.” In this sense, SIP is complementary to organic practices, not necessarily a replacement. Of course, a winery needs to make a profit to stay in business but that is closely tied to the quality of the wines, which depends on the quality of the grapes, which is connected to healthy vineyards. But SIP practices also consider the well being of the vineyard and winery workers, an often over looked factor. An important element to the success of the program is the third party certification SIP provides using independent auditors.

 

At the winery and tasting room on site, we enjoyed a barrel tasting of 2012 vintage Austin Hope Syrah and Grenache. Austin told us he uses traditional Côte-Rotie as his benchmark in making his syrah. But, being in California, he added he likes his wines to taste like the old world wines “but with a little bit more.”

This approach showed through the current vintages we tasted. The Syrah (2010, $42) displayed a balance of savory and fruit elements. Aromatic, intense and full-bodied, it also was elegant with pure berry fruit, licorice and earthy complexity. The Grenache (2010, $42) revealed characteristics of dried red fruits, earth and spices with good concentration, firm acidity and soft tannins.

 

The Hopes haven’t stopped to rest on these successful brands. Another label, “Candor” was created in 2008. These multi-vintage wines, a Merlot and Zinfandel, are crafted from specially selected fruit from a variety of Central Coast vineyards. They exhibit excellent varietal flavor at a reasonable price. We tasted the Zinfandel Lot 4 ($20) and Merlot Lot 3 ($20), which I found notable for their true varietal flavor and fresh, bright fruit.

 

Finally, the newest label in the Hope Family stable, “Troublemaker,” places Austin Hope’s creativity and willingness to challenge convention on full display. Troublemaker Blend 6 ($20) is a multi-vintage montage of 50% Syrah, 20% Grenache, 10% Mourvèdre, 10% Zinfandel and 10% Petite Sirah. Its profile reflected its name with brash fruit and lively texture.

While it was great to learn about all the Hope wines, the trip was made really special by the inclusion of visits to some of Paso Robles most notable artisan producers and restaurants.

 

Villa Creek (www.villacreek.com) has long been a destination restaurant for Paso Robles.

Artisan (www.artisanpasorobles.com) grows some of its ingredients at a local organic farm and showcased a distinctive wine on tap program.

Thomas Hill Organics (www.thomashillorganics.com) is a casual market-bistro that serves spectacularly fresh food, not surprising since most of it comes from their own organic farm.

Il Cortile Ristorante (www.ilcortileristorante.com) features exceptional homemade pastas, fresh seafood, and top-quality meats.

 

All of the restaurants craft dishes as much as possible from seasonal, locally grown ingredients from small producers, much of it organically or sustainably farmed. At these restaurants, farm-to-table is not just a marketing slogan. They live it every day. I will say without hesitation these places are as good as the best restaurants in any city in the nation.

 

And as if that wasn’t enough, to give us a sampling of the top quality artisan products being produced in the area we also toured two special places.

 

 

 

 

 

 

 

 

A visit to the Kiler Ridge Olive Farm (http://kilerridge.com) with founders Audrey Burnam & Gregg Bone was eye opening. Although it is just minutes from downtown Paso Robles the hilly, picturesque location transports visitors to another location, specifically Italy. Kiler Ridge uses sustainable farming practices and currently maintains 2,500 olive trees – varieties originating from Italy and Sicily.

 

Gregg and Audrey were gracious hosts. Gregg provided us with an extensive overview of his production process and explained in amazing detail why most of the “extra virgin” olive oil we buy in the supermarket isn’t really, regardless of what’s on the label.

 

It was particularly enlightening to me to actually taste the difference. The Kiler Ridge oils were noticeably fresher and displayed distinct grassy and peppery flavors. Greg explained this is because his oils have much higher polyphenol content – he even said, “I’m a polyphenol producer, not an olive oil producer.” Polyphenols are strong antioxidants with many health benefits. Bottom line, though, the oils were delicious but admittedly might be an acquired taste for some consumers used to blander commercial oils.

 

And they presented us with the most eye opening taste sensation I have hade in years: vanilla ice cream topped with sea salt, my choice of Kiler Ridge olive oil and balsamic syrup. All I can say is “wow!” It was delicious with all the savory and sweet elements melding together beautifully.

 

 

 

 

 

 

 

 

We also took a refreshing break from winetasting for a tour of the Firestone Walker Brewery (www.firestonebeer.com) with Brewmaster Matt Brynildson. Firestone Walker (named for owners Adam Firestone and David Walker) has been brewing since 1996 but moved from Santa Barbara to Paso Robles in 2001. Firestone Walker and Brewmaster Brynildson are one of the nation’s most awarded breweries and are particularly notable for their use of barrel fermentation for several of their ales.

 

I wholeheartedly recommend the next time you are considering a vacation to wine country, make Paso Robles your destination. The number of wineries has grown from about forty 25 years ago to over 200 (mostly small and family-owned) today. But that is only the beginning of this region’s story. Passionate, dedicated artisan producers with a commitment to sustainability are to be found everywhere in the region.

 

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PEOPLE’S PALATE WINERY PROFILE: BONNY DOON VINEYARD

RANDALL GRAHM’S AND BONNY DOON’S QUEST FOR TERROIRISTIC SELF EXPRESSION BEARS FRUIT

 

Over the last few decades, the concept of terroir and its influence on the grapes grown in a given location and ultimately the wine from those grapes has been the subject of an enormous amount of discussion and as much debate. When I first saw mentions of the subject, it was mostly presented in terms of the geography and geology of the soil in which the grapevines are grown. Soon after, conversations incorporated the environmental conditions and climate. Then it was expanded to include factors influenced by humans – particularly the grape growing and winemaking.

 

Nowadays most commentators agree a “terroir driven wine” ultimately reflects the sum of the natural conditions of its place of origin and the human decisions in the vineyard and the cellar that attempt to express the unique characteristics of that location. Actually, beyond that it seems to me the extent to which a wine accomplishes that ideal is a result of a still poorly understood alchemy in which the wine is greater than the sum of its influences.

 

Enter Randall Grahm, a singular winemaking personality known as much for his gift at turning a phrase and clever prose incorporating literary and philosophical references. Mr. Grahm founded Bonny Doon winery thirty years ago and was one of the original “Rhone Rangers” (proponents of California wines made with grapes typical of France’s Rhone Valley). He has long been a proponent of “terroir driven” wines but to many seemed to have lost his way for a period when he focused more on growing his wine business (ultimately to nearly 500,000 cases a year).

 

Now, he has recommitted himself and his operation to making (actually I think he would prefer I say “shepherding” or “facilitating” or maybe “translating”) wines that reflect the vineyard source. A key decision in this regard he says is his decision to only use biodynamically farmed grapes and rely on indigenous yeasts for fermentation. There still are myriad practices employed in the cellar to achieve the style of wine Mr. Grahm prefers (which I would describe as more European – higher acidity, dryer fruit flavors, more earthy and herbal components) but he seems genuinely dedicated to decisions he thinks will produce wines optimally characteristic of their origin.

 

And the quality of the wines, at least based on my recent tasting, more than justify his approach. He still is focusing on Rhone varietals and now also “lesser-known varietals” like the Albarino reviewed below.

 

 

For the whites, the 2011 Albarino ($18) from the Central Coast vineyards Casa Grande near Soledad and Jesperson Ranch in San Louis Obispo is fun to drink. True to its varietal characteristics (the grape is mostly known for its wines from Spain and Portugal), this wine is fairly aromatic and quite lively in the mouth. I enjoyed its peach, melon and lime fruit, and a creamy note that adds weight.

 

The 2010 Le Cigare Blanc Beeswax Vineyard Arroyo Seco ($26) also is quite fragrant with floral, lemon, pear, and spice notes. This Rhône-style blend of roussanne and grenache blanc comes from a shielded from the cool Pacific winds by the Santa Lucia Mountains vineyard is medium-bodied, with a lush texture (possibly from the full malolactic fermentation) and intriguing mineral characteristics.

 

 

On to the reds, the 2010 Contra ($16) is described as an “Old Vine Field Blend” implying the vineyard sources are planted with multiple grapes and all the fruit is harvested and vinified together. About 2/3 carignane (old, nongrafted, dry-farmed, head-trained vines from Contra Costa County’s Gonsalves Vineyard) and 1/3 syrah (from Santa Maria Valley’s Bien Nacido Vineyard) with splashes of grenache, roussanne, grenache blanc, and mourvèdre, this is similar to a wine we might find from the south of France. Regardless, it is a fine value with mushroom aromas and nice ripe red and black fruits, a touch of licorice and spice followed by a medium body, supple texture and fresh acidity.

 

The 2009 Ca’ del Solo Nebbiolo Monterey County ($45) from the biodynamic Ca’ del Solo Estate Vineyard is rather pricey but it does deliver the goods. On the nose, there are pure red cherry, lightly floral and smoke notes, and maybe even a creamy quality. In the mouth, an underlying element of earth with a touch of fennel is the foundation for a juicy, lighter-bodied, brightly fruited wine.

 

The Chateauneuf-du-Pape style 2008 Le Cigare Volant ($38) has become somewhat iconic since its inception 25 years ago. It was one of the first such wines from one of the first Rhone Rangers. This vintage is 45 percent grenache (mostly from Ca’ del Solo estate) and 30 percent syrah (mostly from Bien Nacido vineyard), with smaller proportions of mourvedre, cinsault, and carignane. It shows tangy plum and hints of cherries and anise. I sense lightly dusty, woodsy notes in the nose. There is similar fruit in the broad mouth, while it closes with powdery, gravelly tannins.

The 2008 Le Cigare Volant Reserve en Bonbonne ($65) is a really interesting wine. It is a selection of the Cigare Volant separated to finish aging in 5-gallon glass bottles (called carboys or “bonbonnes”) rather than barrels or foudres. Possibly because of the nature of this container, particularly its reductive (oxygen free) nature, it does seem to have a bit more structure and taste a little fresher. Still, the bouquet presents evolved notes of dried berries and herbs with a pleasant suggestion of gravel. It is nicely concentrated and dry and finishes with noticeable tannic grip.

 

I would say these two wines are of roughly equal quality, although I preferred the Bonbonne. They’re just made in different styles. Maybe they should be thought of as different expressions of the vineyard sources as interpreted by the winemaker.

 

There also were three Syrahs in my tasting. One, the 2009 Le Pousseur Syrah ($25) was the only wine that didn’t impress me much. There was nothing wrong with its earthy, savory qualities and black cherry fruit. It just seemed rather one-dimensional.

 

In contrast, the 2008 Syrah Alamo Creek Vineyard ($35) had a lot going on. It opened with enticing red fruit. Then it followed with smoky dried herbs and a spice note that for some reason made me wonder if they came from the grape, the barrels in which the wine was aged, or the vineyard (which Grahm says is planted in an old riverbed in San Louis Obispo County). It had a similar flavor profile, with deep fruit, a touch of anise and savory, peppery, meaty flavors. This is all packaged in a solid structure, with distinct dryness, finishing with lively tannins.

 

Finally, the 2008 Syrah Bien Nacido Vineyard ($42) was the star of my tasting. From the cool climate, older vines and calcareous soils of Bien Nacido’s X-block, this is a fantastic wine. It was generous with its tart cherry and juicy berry fruit. Peppery, earthy and meaty elements emerged with time in the glass, all nicely balanced with fresh acidity. As with the best Syrahs, this wine deftly balanced power and elegance.

 

Based on the wines in my tasting, this partnership between the winemakers, wine growers, grapevines, and vineyards is bearing fine fruit and I look forward to following its further development.

 

 

NOTE: All photos obtained from Bonny Doon website.

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WHAT’S COLD, DRY, LIGHT AND WHITE ALL OVER … AND JUST IN TIME FOR JANUARY?

PEOPLE’S PALATE WEEKLY WINE RECOMMENDATIONS FOR JANUARY 7, 2013

No, it’s not snow. It’s white wine from France, at least for the purposes of this column.

 

I admit I usually prefer red wines (and Port!) during the cold months but recently I suddenly had a hankering for some crisp whites, cold weather be damned. These wines from Alsace and Loire really hit the spot. So, I thought I’d share them with you. And, keeping in mind your post-holiday bank accounts may be somewhat depleted, all are under $20 a bottle.

 

Something like 92 percent of all Alsatian wine is white. Unlike other French regions, the best wines (those whose appellation of origin is controlled by law, known as A.O.C.) are labeled with the name of the grape variety (and the wine inside is 100 percent). Of particular interest to me, the region is the premier home of my two favorite white grape varieties – riesling (although Germany ranks here, too) and gewürztraminer.

At their best, these wines have excellent fruit intensity, intriguing savory notes, and fine balancing acidity. And Pierre Sparr is one of the best producers. The firm’s entry-level wines (all screw capped) are excellent introductions to the region. The 2011 Riesling ($15) is lightly floral with juicy lime and peach fruit, a stony element and firm acidity. The 2011 Gewurztraminer ($17) delights with intense aromas of tangerine, peach and pear and off dry, textbook lychee flavors, with a touch of anise in a rich, oily texture wine. The 2010 Alsace One ($13) is a blend of muscat, riesling and pinot gris. It is fragrant and floral with lively tropical, apple and mineral notes, good acidity and a crisp finish.

 

At the far west end of the Loire Valley within reach of the Atlantic Ocean’s salty breezes lies the Muscadet appellation. There is much unique about the wines here. Melon de Bourgogne is the only grape variety grown and it is virtually unique to this region, even though it originated in Burgundy. These wines are one of the great accompaniments to fish and seafood, and especially oysters.

 

My favorites come from the Muscadet de Sèvre et Maine area, located between the two rivers in the name. The terrior – igneous and metamorphic rock and the influence of the ocean – produces very dry wines but they are light and crisp, with fresh citrus (lemon, lime, grapefruit) aromas that evoke the ocean breeze, brisk acidity offset with minerality, and a tangy, occasionally slightly bitter finish. They are vinified sur lie in which the lees (yeast cells remaining after fermentation) are kept in the wine until bottling to enhance the lively character. The 2009 Andre Michel Bregeon ($16) really evokes the saline spray of the nearby ocean and those oysters you’ll be eating with it. The 2010 Domaine de la Quilla ($13) shows more of the stony minerality. Finally, the 2008 les Clissages D’Or ($16) emphasizes the citrus and herbal qualities.

 

 

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LOTS OF BUBBLES TO MAKE YOUR NEW YEAR SPARKLE

PEOPLE’S PALATE WEEKLY WINE RECOMMENDATIONS FOR DECEMBER 26, 2012

LOTS OF BUBBLES TO MAKE YOUR NEW YEAR SPARKLE

 

Although sparkling wine is always an appropriate choice for any occasion any time of year, no question the New Year, with all its toasts and “Champagne” brunches, are prime time for indulging a bit of bubbly. And effervescent wine is so popular, there are versions made in virtually every wine region.

 

Champagne

 

The benchmark for sparkling wine is that made in the Champagne region of northwestern France. Cool climate, limestone laced soils, and a nearly 300 year singular focus on the style (the “traditional method” – secondary fermentation in the bottle to capture the ”stars”) means Champagne is the benchmark for all things foamy. It also means the stuff is quite expensive. So, I suspect in most cases you will be looking for a nonvintage Brut. It’ll still set you back a pretty penny but with a top producer (like the two here) you’ll still get something special.

Charles Heidsieck. One of the oldest and most prestigious Champagne houses, established in 1851, the Charles Heidsieck house style typically is one the most complex and bold. Equal parts pinot noir, chardonnay, pinot meunier, with 40 percent reserve wines – some 10-15 years old – the Brut Reserve ($65) packs toasty brioche, pear and tropical fruits, with nutty notes in an amazingly lush frame. Even given the considerable cash commanded by Champagne, the Brut Reserve delivers a lot of wine for the money. 

Lanson. Over 250 years old (the fourth oldest Champagne house), Lanson has been absent from the U.S. market for a while but was recently reintroduced here. Lanson always was one of my favorite Champagnes, so I’m glad they’re back. And the Brut Rosé ($60) doesn’t disappoint. With 53 percent pinot noir, 32 percent chardonnay and 15 percent pinot meunier, the wine is exceedingly fresh and aromatic. This may be because Lanson eschews malolactic fermentation, meaning its wines typically retain more pure fresh fruit character. This one is loaded, with biscuit and floral aromas, red berry and citrus flavors and comes with an elegant texture.

 

Crémant

 

Beyond Champagne, there still are a wide variety of (mostly) more affordable choices for you. In France, Crémant is a term used to designate a high quality sparkling wine made using specified quality control practices including the “methode traditionnelle.”

 

Pierre Sparr Crémant d’Alsace. The Sparr family winery was established an amazingly long time ago in 1680. Pierre Sparr has access to many of the region’s finest vineyards, so maybe it shouldn’t be a surprise this is a highly respected producer. The Brut Reserve ($19) is 80 percent pinot blanc, 20 percent pinot auxerrois. The nose suggests the assertive melon, tropical and citrus fruit that dominates the palate. Fine mousse tickles the palate with minerals and hints of nuts. A fantastic value. The Brut Rosé ($19) is 100 percent pinot noir with fresh aromas of soft red berries and delicate, fruity flavors and lively acidity.

 

Gerard Bertrand Crémant de Limoux. Limoux, a small town and appellation in the Languedoc-Rousillon region of Mediterranean France, lays claim to producing sparkling wine by a second fermentation in the bottle long before Champagne.  Crémant de Limoux traces its history to 1531 and Benedictine monks at the abbey of Saint-Hilaire. Bertrand’s 2010 Crémant de Limoux ($16) is a blend of 70 percent chardonnay, 20 percent chenin blanc and 10 percent mauzac, the indigenous grape which used to dominate all Limoux sparkling wine. There is enticing flowery, citrus and toast on the nose and pleasant pear, apple and lemon flavors. I found the palate to show refined, frothy bubbles.

 

Prosecco

 

Prosecco from the Veneto region of northeastern Italy has become an extremely popular sparkling wine choice in recent years. Prosecco (the name of the production zone, while glera is the dominant grape), unlike the other sparklers in this report is produced using the Charmat Method. In this case, the bubbles are produced by inducing the second fermentation in a pressurized tank. The attraction is in fresh aromas and clean, delicate fruit, frizzante bubbles and low alcohol.

 

Valdo. Valdo Spumanti was established in 1926 and has been owned by the Bolla family since 1940. The Valdo Brut DOC ($12) opens with floral aromas and delivers lively, fruity pear and apple flavors. Valdo also has released a new Prosecco Superiore DOCG Brut. Designated “Oro Puro” ($16), Prosecco’s fresh, lively style certainly is present but there is evidence of greater complexity and fuller flavors as the grapes are from the finest (usually higher altitude) hillside estate vineyards and the wine undergoes an extended aging period. Also consider Valdo’s Nerello Mascalese Rosé ($14), in which the nerello grape adds color, raspberry and spice to the blend. It’s not Prosecco but is similar in style.

 

Mionetto. Another one of Prosecco’s top producers, Mionetto traces its origin to 1887. They also areone of the zone’s most creative, as evidenced by the lighter, gently-sparkling and lower alcohol style of Mionetto’s “IL” ($13). The fruity aroma of pear and citrus is followed by a fresh and crisp wine with apple and peach flavors. The Mionetto Prosecco Brut DOC Treviso ($15) is a bit floral and more intensely fruity with notes of apple and citrus. It also is drier and pleasantly brisk.

 

Enza. Enza Extra Dry ($15) is a new brand produced for the importer W.J. Deutsch by the Cantina Colli del Soligo, a cooperative of growers throughout the Veneto. The slightly higher residual sugar is nicely balanced with just the right touch of acidity. The delicate bouquet offers with scents of pear and apple with a lightly floral, while the mouth also exhibits citrus and peach.

 

Moscato and Moscato d’Asti

 

You have to give the Italians credit for creativity and their fascination with spumante. As much as they are rightly recognized for their red wines, I have been told the Italians are just as proud of their sparkling wines. In addition to Prosecco and the impressive Franciacorta (none reviewed here), the Piemontese have come up with one of the most delightful of all. Made from the moscato bianco (white Muscat) grape in the vineyards surrounding the town of Asti, moscato d’Asti is enticingly aromatic, delightfully sweet, slightly fizzy (frizzante), and very low alcohol (5.5%), making it perfect as an aperitif or a dessert wine.


Vietti Moscato d’Asti. With a 200 year tradition of winemaking, this highly regarded producer is recognized as one of the first in the Piemonte to bottle single-vineyard wines and for pioneering the resurrection of the indigenous areneis white grape.  They also make one of the best Moscato d’Asti. The 2012 “Cascinetta” ($15) uses only the best moscato grapes with extended maturation. The resulting wine intense aromas of honey, peach and orange, with hints of spice and a suggestion of flowers. On the palate, it is loaded with apple, pear and lemon, while its delicate sweetness is balanced with bracing acidity leading to a fresh finish.

 

 

Caposaldo Moscato. Caposaldo is a brand brought to the U.S. by the importer Kobrand. The Moscato IGT ($10) actually is not a Moscato d’Asti but I include it here for ease of reference. The grapes are grown in the Provincia di Pavia in northern Italy’s Lombardy region. It is a bit less sweet and higher in alcohol (but still very low at 7%). And the price sure is right.

 

Cava

 

Spanish Cava has long been my go-to bubbly for parties and friendly accompaniment for meals. Most Cava is produced by the tradition method in the Penedès valley in Cataluna not far from Barcelona. Most Cava features the indigenous grapes Macabeo, Xarel-lo, Parellada. It’s recently had competition from Prosecco but is still a great choice.

 

Codorníu. Codorníu has been a premier sparkling wine producer since 1872 when the family introduced the traditional method to Spain. The family’s winemaking history actually stretches back more than 450 years to 1551. Anna de Codorníu Brut ($15) celebrates the life of Codorníu’s last heiress and the family she guided. It was the first Cava to use chardonnay in its cuvee, 70 percent in this release with 30 percent parellada. It shows some richness and a little sweetness, with a solid structure and a creamy texture and more fruit than expected – citrus, tropical and strawberry aromas; and apple, citrus, and raspberry flavors.

 

Poema.  Poema is a top-quality, small-production Cava house that emphasizes sustainable practices, suchasorganic fertilizer and no herbicides. The Brut ($13) is notable for its fresh bread, citrus, apple and even mineral notes. Its crisp, fruity and well-balanced profile positions it as a great choice. 

California

 

Barefoot Bubbly. For my California selection, I’m recommending a reliable choice in the so-called “value” category – Barefoot Bubbly. Barefoot Cellars has been churning out good value wines since 1986. Today, they produce thirteen still wines and seven sparkling. The mainstays of the Barefoot Bubbly line are the Brut Cuvée and Extra Dry, each ($11). The Brut is not as dry as the term usually indicates. But it is clean and crisp, with nice lemon and apple fruit balanced with creamy notes. The Extra Dry shows nice fresh tropical fruit; it is slightly sweet but finishes with refreshing acidity. These wines are ideal for parties and family gatherings and make a good base for the ever popular mimosa.

 

 

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PEOPLE’S PALATE WEEKLY WINE RECOMMENDATIONS FOR DECEMBER 19, 2012

SWEETS FOR THE HOLIDAYS

 

Something about the cold weather and holidays always gets me in the mood for a good dessert wine. I’ve discovered a few that I am looking forward to helping me get through the holidays and the rest of winter.

 

Port

 

Although I enjoy Port all year long, there is something about cold weather that gets me thinking about stocking up on this special dessert wine from Portugal’s Douro River Valley. The warming quality of Port’s intensity and high alcohol really hits the spot this time of year. There are many styles and a number of special designations but the wines are so good, the little extra effort it takes to understand them will be greatly rewarded. Actually, there are two basic styles: mostly wood-aged Port, usually classified as Tawny; and mostly bottle-aged Port, including Vintage, Late Bottled Vintage and Ruby.

 

Vintage Port is made only in exceptional years from the finest grapes in the top vineyards. They are dark, with intense fruit, great depth, and tannic grip. They also are quite expensive. Since I can’t afford Vintage Port often, one of my favorite alternatives is made by Ficklin Vineyards, a family operation that has been producing highly regarded California Port-style wines for three generations. The 1996 Ficklin Vintage Port ($36), though less intense than the Portuguese version, still is impressively rich and ready to enjoy immediately but will develop well.

 

Late Bottled Vintage Port (or LBV) also is an affordable alternative. It is made from good wines of a single year that didn’t quite make the cut for Vintage Port. Aged four to six years before bottling, it is ready to drink upon release but can last a few years. I enjoyed Dow’s 2007 LBV ($22), from the family’s fourth winemaking generation, for its full body and blackberry fruit balanced with good acidity and soft tannins.

 

Ruby Port is the youngest and most accessible Port. Aged three years in large vats to retainfreshness, expect straightforward, grapey fruit. Cockburn’s “Special Reserve” ($22), crafted to be more concentrated than a standard Ruby by this 200 year old producer, is a delectable choice with aromas of ripe plums and dark cherries and concentrated flavors to match. Fonseca Bin No. 27 ($21), another nearly two hundred year old family winery is quite intense with lively red fruits and good structure. Here again, Ficklin is a California alternative worth considering. I have been drinking the Old Vine Tinta Port ($18), which is produced using a unique solera blending system, for more than 30 years and it has never disappointed me.

 

Tawny Port is known less for power and concentration than for complexity, purity of fruit and finesse. Tawnies areblended wines and the best indicate an average age. Expect the balance, elegance and complexity to increase with the older wines. The Taylor Fladgate 20 Year Old ($56) is amazingly pure with vibrant, deep fruit, nutty complexity and great balance. The Fonseca 10 Year Old ($33) is quite fine in its own right and certainly more affordable, though a little sharper and not as complex. And don’t forget Ficklin’s Aged 10 Years ($28), which I enjoyed for its attractive plum and cinnamon and lingering finish.

 

 

Some California producers make a Port-style wine often using zinfandel because of itsability to develop naturally high alcohol levels without fortification. The 2009 Dashe Late Harvest Zinfandel (375 ml, $24) certainly conjures the character of a Ruby Port. It has fine structure and acidity, with aromas and flavors of raspberry and black pepper. The 2009 St. Francis Sonoma County Port ($38) is a rich, blend of cabernet sauvignon, zinfandel, merlot, syrah, and alicante bouchet. Aromas of spice and dark fruits lead to exuberant wild berry flavors and a silky texture.

 

Banyuls

 

Where the south of France hugs the Mediterranean Sea, the Languedoc and the Roussillon produce a wide variety of sweet wines, mostly from variations of the white grape muscat and occasionally the red grape grenache. Most of these wines (known as Vin Doux Naturel) are made by fortifying the partially fermented wine with grape spirits. This report covers three of the best.

 

From the terraced vineyards near the seaside town of the same name, Banyuls, (grenache is the dominant grape) is a truly underappreciated sweet red wine. Since it is red and fortified, it is tempting to compare Banyuls to Port. But there are differences, such as lower alcohol and a slightly lighter style. A fine example comes from one of the estates of the Dauré family, one of the Roussillon’s leading producers. The 2009 Les Clos de Paulilles “Rimage” (500 ml, $25) does bear a resemblance to Vintage Port with its blackberry, cherry fruit and chocolate notes.

 

Muscat de Saint Jean de Minervois

 

Muscat de Saint Jean de Minervois is one of the most important muscat based Vin Doux Naturel. It comes from high altitude vineyards on an arid plain near the Languedoc community of the same name and north of the historic town of Narbonne. The wine is made with muscat blanc à petit grains, the best of the many muscat varieties. I found the nonvintage Les Petit Grains (375 ml, $14), from Les Vignerons de la Méditerranée (the growers association responsible for the good value Val d’Orbieu wines) to be a fine representative of the appellation. Its dramatic aromatics and fruit forward apricot, citrus and honey qualities are enticingly satisfying.

 

Muscat de Rivesaltes

 

In the Rousillon region, neighbor to the Pyrenees Mountains that form the border with Spain, Muscat de Rivesaltes is an appellation that accounts for most of France’s Muscat production. The Dauré family’s other estate, Château de Jau (which dates to 1792) is a standard bearer in the Rousillon and its Muscat de Rivesaltes is a fine example of the type. Although much Rivesaltes is made with the lesser muscat of Alexandria, the 2009 Chateau de Jau Muscat de Rivesaltes (500 ml, $25) is distinguished by the use of muscat blanc à petit grains. It is similar to the Les Petit Grains, though in a lighter, more refreshing style.

 

Sauternes

 

Many consider Sauternes the greatest of all sweet wines. The production zone is located just south of Bordeaux. This storied wine results from the marriage of late harvested semillon (with small amounts of sauvignon blanc or occasionally muscadelle), and the amazing “noble rot” known as botrytis cinerea. This leads to deeply concentrated juice that yields luscious nectar of a wine – honeyed, earthy and even a little spicy. For a great introduction to the wonders of Sauternes at a fair price, enjoy the 2008 Château de Cosse (375 ml, $25), This is the second wine of the great Château Rieussec. Yet it carries all of the qualities one would look for in fine Sauternes.

 

Tokaji Aszu

 

Although it is largely unknown among American consumers, Tokaji Aszu (pronounced TOE-keye-ee AH-zhu) is one of the greatest sweet wines on the planet. The Tokaj-Hegyalja region is about 150 miles northeast of Budapest, Hungary in the Zemplen Mountains at the confluence of the Tisza and Bodrog rivers. It is here, not France or Germany, where the first discovery of the botrytis cinerea (the “noble rot”) was documented over 400 years ago, when it was realized the juice from rotten grapes could produce an unctuous, sweet wine. Tokaji Aszu is crafted from indigenous grapes – primarily furmint, harslevelu and muscat blanc. Its unique production method involves blending a dry base wine with a sweet paste of aszu (the botrytis-infected grapes) in various proportions. The amount of residual sugar in the wine is ranked in levels ranging from 3 puttonyos up to 6 puttonyos. No surprise Tokaji Aszu became celebrated, favored by royal families throughout Europe. It’s rich, thick and refreshing because of the high acidity, with the flavors of dried apricots and oranges.

 

Today, the Royal Tokaji Wine Company, founded just in 1990, is the most importantproducer of Tokaji Aszu and lucky for us the most readily available in America. These wines can be ridiculously expensive, so it is a real treat to find such quality at reasonably accessible prices. The 2007 5 Puttonyos “Red Label” (500 ml, $43) is a wine for superlatives. Amazingly luscious but lively, balanced and refreshing, you are likely to discern tropical, apricot, peach, and orange aromas and flavors. Intriguing hints of honey and earth cross the rich palate balanced with firming acidity. The 2009 Mád Cuvée Late Harvest (375 ml, $20) is made from vineyards near the town of Mád not far from Tokaj. It is lighter and fresher but definitely has a sense of richness – an excellent introduction to the style, exhibiting a fine balance between fruity sweetness and taut acidity.

 

 

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THE PEOPLE’S PALATE WEEKLY WINE RECOMMENDATIONS FOR DECEMBER 9, 2012

For this People’s Palate Weekly Wine Recommendations, I feature two types of wine that are ideal choices for holiday meals and festivities.

 

The white is a Vinho Verde from the region of the same name in northwestern Portugal. Vinho Verde translates to “green wine” and for good reason. The cool, wet climate and granite soils here present growers a challenge to harvest ripe grapes. Those that do produce a pleasantly aromatic, light bodied wine that is high in acid, (sometimes with a bit of fizz on the tongue), and brisk apple and citrus fruit, occasionally accented with mineral or savory elements. Low in alcohol, they are perfect as an aperitif and with lighter dishes.

 

There are about half a dozen key grapes used in varying proportions and many of the finished wines are bottled nonvintage – blended from more than one harvest. Arguably alvarinho is the finest of these. Actually, alvarinho is the Portuguese name for the albarino grape grown in nearby Galicia across the border in Spain.  Compared to other Vinho Verde, it yields a more fragrant, full-bodied, wine that is higher in alcohol and can reveal quite a bit of richness and character.

 

This certainly proved the case with this week’s selection – the 2011 Vera Alvarinho Vinho Verde ($16). The Vera is 100% alvarihno from vineyards in a warmer, drier area. There is a slight tingle on the tongue, followed by rich flavors of ripe apple, lemon and lime. This depth of fruit is balanced with bright acidity and the wine finishes with spice notes. Enticing now, this is a wine with enough character to age and for a few years.

 


 

I actually have another fun VV choice for you – the Broadbent Vinho Verde ($10). This delightfulwine (at a great price) opens with the impression of a light sparkling wine and that is confirmed in the mouth with fairly significant spritz. A touch of fresh green apple and a clean finish makes this a great quaffer. This is a nonvintage wine, so look on the back label for the “Seal of Guarantee” (Selo de Garantia) and the “/2011” notation.

 

My red wine choice this week is Beaujolais. My first offering is the Beaujolais Nouveau from Georges Duboeuf. This time of year, Beaujolais is a choice red wine option and Beaujolais Nouveau is especially fun. Every year, on the third Thursday of November, the Beaujolais Nouveau is released to great fanfare, as it is traditionally the first wine of the new harvest.

 

Coincidentally available just in time for the holidays, the 2012 Georges Duboeuf Beaujolais Nouveau ($10) is one of the most widely available and always a good choice. The color is a deep purplish ruby and the wine mimics that impression with vibrant, forward berry fruit, balanced with good structure. It is best served chilled.

 

But Nouveau isn’t your only Beaujolais option. There are 12 different Beaujolais appellations, 10 of which are associated with a key village and are known as “Crus” to designate the region’s most celebrated and unique wines. Gamay is the primary varietal of Beaujolais, representing 99 percent of the region’s wines. Beyond Beaujolais, cultivation of gamay is rare, making drinking the region’s wines a unique experience.

 

The Beaujolais region is actually part of the Burgundy region. It is located in the south of Burgundy just north of Lyon in eastern France. Granite soils, some laced with limestone and clay, and abundant sunshine provide an environment in which the grapes develop deep fruit and a solid structure.

 

From Duboeuf, you can’t go wrong with the 2011 Morgon “Jean Descombes” ($16). The Jean Descombes is a perennial favorite of mine. It has loads of black cherry and plum fruit and finishes with and intriguingly savory element.

 

My other Beaujolais selection comes from Louis Jadot, the iconic Burgundy producer – 2010 Louis Jadot Moulin-à-Vent “Château des Jacques” ($22). Maison Louis Jadot bought the Château des Jacques in 1996 and produces several Moulin à Vent, Fleurie, Morgon, and Chenas under this label. This wine is quite full-bodied, with deep black cherry fruit and savory brown spices. The plump texture is buttressed with noticeable tannin. If for some reason you don’t drink it up now, this one definitely can develop over the next several years.