GREAT WINEMAKERS AND FABULOUS WINES CONVERGE ON ASPEN

For me, one of the best things about the Food & Wine Classic in Aspen is the opportunity it presents to meet winemakers and winery owners and to taste wines from producers whom I seldom or never get a chance to try. And this year, the event’s 30th anniversary shined on that score.

For instance, I had a chance to sit down with winemakers for two iconic (an over used word but it applies in this case) California wineries.

Saturday morning over breakfast I met Gina Gallo, the winemaker for Gallo Family Vineyards in Sonoma. Ms. Gallo, who has been a winemaker for the family for more than two decades, was anxious to tell me about (and have me taste) her new portfolio of wines: the Gallo Signature Series. She explained she wanted to make wines that reflected the best of what California’s top growing regions (particularly her family’s estate vineyards)have to offer.

So, signature has a triple meaning: grapes from signature California wine regions, wines made with special care by Gina Gallo, and labels bearing her signature. “I’m excited to have Gallo estate wines back in the market and to be back working with these wines full time after my recent maternity leave [twins!], Gina said while I sipped the three new wines. First, a well-balanced 2010 Chardonnay ($30) from the Laguna Vineyard in Sonoma. Then a full flavored 2010 Pinot Noir ($35) from Olson Ranch in the Santa Lucia Highlands of Monterey. Finally, a bold and structured 2009 Cabernet Sauvignon ($40) from the William Hill Estate in Napa (buttressed with fruit from the famed Monte Rosso Vineyard).

I would say the wines reflected the personality of their maker: reflective of their origins but with their own expression, welcoming but with depth. I look forward to following the evolution of this portfolio.

That afternoon, I joined Corey Beck, the winemaker for Francis Ford Coppola Winery, for snacks andconversation. Corey began with a little history. In 1975, Francis Ford Coppola and his wife Eleanor purchased portions of the historic Inglenook property and renamed it Niebaum-Coppola to honor Gustav Niebaum who founded the winery in 1879. They quickly established the property as a respected producer and as a major destination for tourists. They have now acquired the rest of the property and recently announced the winery henceforth will again be known as Inglenook again.

In 2006, the Coppola’s purchased the Souverain property in northern Sonoma. They renamed it Francis Ford Coppola Winery and moved production of most of their portfolio there. They also put Corey in charge of all winemaking operations.

Corey has a life long connection to California wine, essentially growing up alongside his grandfather who was the vineyard manager for Napa Valley’s renowned Chateau Montelena and later as their Cabernet Sauvignon Cellar Master. Corey joined Coppola in 1998 as the assistant winemaker. He now oversees seven wine brands including Diamond Collection, Rosso & Bianco, Sofia, FC Reserve, Votre Santé, Director’s, and Director’s Cut. It also is worth noting Coppola has turned the winery into a major tourist destination with a gourmet restaurant, a swimming pool, bocce, and a movie gallery.

Circumstances prevented us from tasting any of Corey’s wines but I really enjoyed the conversation and the history. I also have recommended Coppola wines before and look forward to reporting about new releases in the coming months.

I also made numerous discoveries in the Grand Tasting Tent, where producers from all over the world display their wares. This year I ended up on sort of a world tour.

The journey started at the Wines of Germany table. Wines of Germany has hosted tables here for many years and I always make a point to stop by to taste samples of Riesling (my favorite white wine) from the country that does it best.

With Aldo Sohm, Wine Director of Le Bernadin Restaurant and Michael Schlemmel of Wines of Germany

Next Spain. Wines of Spain for many years has hosted a whole tent as a separate location within the Grand Tasting park and it is always a great place to hunt for new wines. This year I was especially impressed with the wines at the “Drink Ribera” (that’s Ribera del Duero, one of Spain’s most important regions).

From there it was a short walk to the Inter-Rhone table to taste through samples of Cote-Rotie and Chateauneuf-du-Pape and to a nearby table for a taste of Champagne Nocholas Feullate, even their Grand Marque “Palmes d’Or.”

Then it was a visit to the tables of the Instituto del Vino-Grand Marchi. This organization brings together 19 of Italy’s most important wineries, all family owned. I was giddy tasting wines from such producers as Antinori, Donnafugata, Pio Cesare, Michele Chiarlo, and Tasca d’Almerita.

With Allegra Antinori

I finished my tour in California. First I enjoyed tastes of the flagship red of Beaulieu Vineyard, the 2008 Georges de la Tour Private Reserve Cabernet Sauvignon, along with the 2008 Tapestry Reserve (Bordeaux-style blend), and 2009 Rutherford Cabernet Sauvignon.

I concluded with the founder of Buena Vista Winery, Count Agoston Haraszthy. Actually, it was actor George Weber playing the role convincingly (actually how would I know, since Haraszthy is long dead, having founded the winery in 1857). And Buena Vista now is owned by Burgundy-based Boisset Family Estates. But I was happy to have the Count, I mean George, taste me through several wines from Buena Vista (I especially liked the 2008 “The Count” Founder’s Red), and other Boisset-owned California properties: De Loach (2009 Green Valley Pinot Noir), and Raymond (2008 Raymond Rutherford Cabernet Sauvignon).

Needless to say, it was another year of discovery at the Food & Wine Classic in Aspen. I already can’t wait for next year.

Food & Wine Classic in Aspen Celebrates 30th Anniversary, Part 1

It was around Noon Saturday, June 16 when the email came: “Another Kobrand Happy Hour!” It announced a reprise of the importer’s party from the night before.

This sort of thing is fairly routine at the Food & Wine Classic in Aspen. And this year it was even more so as the Classic celebrated its 30th anniversary. There were so many opportunities to attend receptions, dinners, parties and special tastings, to meet with winemakers, and discover new wines column I had to turn down several invitations and still can only briefly review my itinerary here. And this is what I like most about the Classic: for me at least, it is all about discovery. And this year, we all discovered a new restaurant concept, the Chef’s Club by Food & Wine on Thursday evening at an invitation only event before the official start of the Classic. The restaurant is housed in the St. Regis hotel and will feature menus devised by Food & Wine Best New Chefs. One of the inaugural chefs is Denver’s own Alex Seidel of Fruition. Kudos to Alex!

As always, the official kick off, though, was on Thursday with the Welcome Reception hosted by Trinchero Family Estates. The Trinchero family is one of California’s most influential, producing such highlyregarded brands (in addition to their namesake) as Napa Cellars, Terra d’Oro, Joel Gott, and Montevina.
Next, it was off to Jimmy’s restaurant for a casual dinner hosted by Ferrer Wine Estates and featuringsome of their fine sparklers. While visiting with Eva Bertran, Executive Vice President at Freixenet USA, I enjoyed the Segura Viudas Reserva Heredad ($20) and Freixenet ElyssiaPinotNoir Brut from their extensive line of Cava. I also enjoyed talking and and tasting with Gloria Ferrer (the family’s California winery) winemaker Bob Iantosca. His limited release 2005 Anniversary Cuvee ($45) was especially complex and flavorful.

I concluded this first night at the annual Wines from Spain barbecue hosted by chef Jose Andres. Besidesgreat food, the event featured too many Spanish wines to taste them all or even keep tasting notes but I was impressed enough with the 2006 Bodegas Muga Reserva Seleccion ($40) to write it down in my notesand recommend it here. And that was just the first night! Friday night upped the ante.

At a reception hosted by importer Wilson Daniels, the array of fine winesfrom their international portfolio was truly impressive. I felt like a kid in a candy store, as there were numerous wines that impacted me, from white Burgundy (Leflaive 2008 Pulighy-Montrachet, Laroche 2009 Reserve de l’Obedience Chablis Grand Cru and 2009 Petite Chablis) and Rhone Valley whites (Tardieu Laurent 2007 Hermitage, 2009 Condrieu and 2007 Chateauneuf-du-Pape) to Barbaresco (2005 Ceretto Bricco Asili), Tokaji Aszu (1999 Royal Tokaji 6 Puttanyos), and California Cabernet Sauvignion (2008 Lancaster Estate). Whew!

From there it was a short walk to Mezzaluna restaurant where I enjoyed several delectables with fine wines from Portuguese winery Esporao. My favorite at thistasting was the 2009 Esporao Reserva ($20), an enticing blend of indigenous and international varieties.

Next, it was just across the street to the first Kobrand “happy hour” where I was greeted with a flute of Champagne Laurent-Perrier Brut. I sipped the refreshing bubbly as I chatted with Jacques Lardiere, the great (though now retiring) winemaker of Louis Jadot, the famed Burgundy producer. Then I got myself a taste of his fine 2006 Louis Jadot Pommard “Clos de la Commaraine.)

Saturday night was even more packed. It began with a tasting hosted by the importer Moet Hennessy USA.This tasting featured just one wine, and an Argentinean wine at that: the 2007 Cheval des Andes ($80). This wine, a joint venture between Terrazas de Los Andes and Chateau Cheval Blanc, blends cabernet sauvignon, malbec and petite verdot into a wine that rivals the best of Bordeaux. It was so special it seemed perfectly appropriate that it was the only one at the tasting.

Then it was to the reprise of the Kobrand happy hour. And what a treat it was to have a chance to taste many of the great Lousi Jadot Burgundies, wines even wine writers seldom get to taste. Just look at this line up! 1978 Chevalier Montrachet les Demoiselles1978 Bonnes Mares 1985 Gevrey Chambertin Clos St. Jacques 1986 Batard Montrachet 1989 Vosne Romanee Suchots 1990 Chambertin Clos de Beze 1991 Corton Charlemagne 1996 Beaune Greves 1996 Corton Pougets 1999 Meursault Genevrieres.

After that, I hopped in my car and made my way to the Old Smuggler Mine on the outskirts of the town for the “S’wine at the Mine” festivities hosted by Denver’s Infinite Monkey Theorem (IMT) winery. Paired with multiple preparations of pork products, IMT poured its Blind Watchmaker Red Blend, Sauvignon Blanc, and sparkling wines packaged in cans!

But, quite frankly themost incredible event of the evening (at least for the wine hedonist in me) was the importer Old Bridge Cellars’ gathering of Australia’s d’Arenberg wines hosted by Winemaker Chester Osborn. In celebration of d”Arenberg’s 100th anniversary, they offered library wines and a chance to taste through the new “Amazing Sites” Collection (14 single site Shiraz and Grenache wines). There’s just too much to go into here. Suffice it to say I was blown away by the breadth and depth of quality on display. I hope to write more about these amazing wines later.

The Classic provided me many other prospects for discovery available at the Classic. Next week I will share more incredible tasting experiences in Aspen, this time outside of the Grand Tasting Tent.

COULÉE DE SERRANT SEMINAR EXPLORES THE MEANING OF TERROIR AND AUTHENTICITY

What is special, even unique about wine? What distinguishes wine from other beverages, both alcoholic and non? How do we determine quality in wine? Why does wine matter?

To me these were the essential questions at the heart of a fascinating reserve wine tasting seminar I attended at the recent Food & Wine Classic in Aspen. The seminar was billed as a discussion with Nicolas Joly, owner of Coulée de Serrant, and featured a vertical tasting of his iconic Loire Valley wine, Clos de la Coulée de Serrant.

I describe the wines as “iconic” because Coulée de Serrant is an almost 900 year-old vineyard originally planted by Cistercian monks; because the tiny 17 acre vineyard is its own appellation growing only (the little known) chenin blanc within the larger (but also little known) Savennières appellation; because Nicolas Joly is arguably the leading proponent of biodynamic viticulture; and because the wines regularly receive high praise and high prices (around $90-$100, something pretty rare for wines made from chenin blanc); but also because Joly, his methods, and his wines are revered by many but also invite controversy.

Bobby Stuckey (Sommelier at Frasca Food and Wine) introduced Mr. Joly as a visionary who has spent more time thinking about and practicing biodynamic viticulture than anyone. Mr. Joly began by saying, “It’s all about how energy becomes matter,” a statement that succinctly encapsulates the biodynamic philosophy. He added that the main goal is to fully express the place, in this case the Coulée de Serrant vineyard. Hence, the importance of hat the French call terroir.

That terroir is the middle of the Loire Valley, the region of Anjou-Saumur (just to the west of Angers) where the appellation Savennières (a little further southwest) is the epicenter for dry chenin blanc. The steep, south facing slopes of volcanic soils infused with schist (coarse-grained, layered, mineral and crystal heavy metamorphic rocks) yield wines that, as Karen MacNeil (in “The Wine Bible”) writes, “taste like nothing else.”

That’s why Joly emphasized he is a strong supporter of the French “appellation controlee” system, the whole point of which is to “guarantee” that wines produced in a particular place uniquely reflect that place of origin. It’s also why he says, “I don’t only want a good wine but also a true wine.”

A Savennières typically asserts itself with tight acidity that grips the palate on entry. This and an impressive intensity of fruit enables these wines to live longer than almost any other white wine and even most red wines. The most common descriptors include quince, chamomile, honey, cream, citrus, and stone.

To succeed at his goal to be true to the terroir, Joly explained, requires understanding the farm as a biologically diverse system (even part of larger systems – the earth, solar system) and trusting those natural systems to facilitate the operation of their various components to grow the best grapes possible in a given place.

Once I grasped this fundamental orientation, it made sense when Joly said he is “not a winemaker but a nature assistant.” I’ve often heard the statement that “great wine is made in the vineyard.” At times, it has seemed rehearsed, designed to tell consumers and wine journalists what they expect to hear. Not so with Joly.

So how is the wine “made” in the vineyard? The central tenant of biodynamics, as Joly tells it, is to channel the energy of the vineyard to express itself through the vines into the grapes. As a caretaker of the process, the vigneron’s (or wine grower) role is to assist that energy flow to enable the grapes to achieve optimum balance and ripeness.

Similar to organic agriculture, the vines are tended without pesticides, herbicides or synthetic fertilizers and bioengineering and irradiation are off limits. Mr. Joly explained these destroy the “living agents” in the soil. But, like other practitioners of this approach, Joly will employ homeopathic or herbal preparations that are made using substances found in nature and are intended to act on certain aspects of the plant or growth cycle to release the flow of energy.

Then Joly said something that would be heretical in most oenology schools (and caused nervous giggling in the audience): “If the right decisions are made in the vineyard, there actually isn’t much to do in the cellar.” It made me think of an analogy to the world of high fidelity (vinyl) music reproduction, where audiophiles often point out “true” sound quality depends first on the quality of the phonograph (and especially the cartridge/stylus). In other words, if you don’t get it right at the beginning, you have to engage all manner of adjustments down the line to cover up the imperfections.

Mr. Joly continued, with high quality fruit, all he need do is press the grapes; keep the juice in neutral wood barrels; rely on indigenous yeast for fermentation; and pretty much let it all alone until March, only monitoring development and maybe stirring the lees occasionally. Then, he generally does one racking (transferring the wine from one barrel to another leaving sediment behind) and one light filtration right before bottling.

When all is said and done, though, it still comes down to what’s in the bottle. And to me, the eight wines I tasted (admittedly not blind) were a revelation. Joly told us to not expect Clos de la Coulée de Serrant to taste the same each vintage. And the wines in the tasting didn’t. Sure, there were similarities. Each wine to varying degrees showed strong acidity, luscious texture, honey, and an abundance of mostly stone fruits and citrus. Maybe that was the vineyard speaking.

But each wine did have its unique characteristics. An intriguing salty sea breeze quality reminiscent of Spanish Manzanilla Sherry distinguished the 2009. 2008 was the most highly focused. 2007 revealed tangy butterscotch notes, while for 2006 it was caramel apple. I found the 2004 to have the most intense fruit and honey. For 2003, it was the waxy, lanolin-like texture. 2001 was really different showing fennel and tobacco. Finally, orange notes emerged from the 1999, a 12 year-old white wine still incredibly vibrant!

Some have criticized biodynamics as too mystical and weak scientifically (particularly with regard to the more esoteric practices) but Joly argues it requires a deeper understanding of nature and of farming than assumed with the conventional scientific wisdom. Regardless, the most important benefit of biodynamics, at least as practiced by farmers like Nicolas Joly, is it also gives a guarantee of truthfulness in farming and “winemaking.” You know what you are getting, pure, unadulterated produce that is born of a certain place and no other. And we as consumers should be thankful for committed souls like Nicolas Joly for caring enough to assist nature on our behalf.