CALIFORNIA CABERNET SAUVIGNON: VALUES ARE HARD TO FIND BUT THEY ARE THERE

 

 

Over the last several months, I have tasted 46 California Cabs from a wide range of prices. While California produces thousands of Cabs, this sample has lead me to conclude it’s getting harder to find good values in California Cabernet. Still, they are there and I have included 16 in this report. Recommended wines are listed in order of preference in each category.

 

Everyday Drinking

 

I know some of you will be asking, “what about wines under $10?” Well, everyone I tasted in the past year just didn’t make the cut. It is disappointing that solid quality is getting harder to find for less than $20 a bottle. I did find one admirable option in the 2012 William Hill North Coast ($14). It’s a really good value with solid structure and tasty fruit.

 

After that, we quickly are over $20 a bottle. But at least I found some gems for you.

 

2011 Rodney Strong Alexander Valley ($28). This is one of the best values in this report and is a perennial value. Its extravagant black fruits and toasty oak make for a complex wine finishing with refined tannins.

 

2012 Decoy Sonoma County ($25). Lots of dark fruits wrapped in caramel oak. A bit hard and tannic at first but opens up nicely. Will evolve for a few years.

 

2011 Silver Palm North Coast ($22). Quite forceful blackberry, pine and woodsy notes but a lighter, smooth texture

 

2011 Rodney Strong Sonoma County ($20). Nice black fruits and a light earthy note, soft and amiable.

 

Sweet Spot of Quality/Value

 

These wines are definitely a step up, sure in price but importantly also in quality. Yes, we’re now over $30 and even $40 a bottle. But if you are willing to spend more money, these wines will deliver your money’s worth. Further, the wineries listed in this section are ones I have found to be extremely reliable in recent years.

 

2010 Stonestreet “Monument Ridge” ($45). Bursting with beautiful berry fruits accented with touches of spicy herbs, graphite and mocha and a complex fruit/oak/tannin profile. Gorgeous now, it might be even better in five years.

 

2010 Frank Family Napa Valley ($50). Inviting black and red currants, with creamy oak and licorice, a solid structure and layered texture make this all around delicious. Noticeable tannins suggest 5-10 years of further development.

 

2011 Atalon Napa Valley ($35). Opens with intriguing earthy, minty and herbal notes that mix with generous red and black fruits. It is fairly full with a juicy palate finishing on a pleasantly bitter note.

 

2011 Kendall-Jackson “Grand Reserve” ($30). Strong, woodsy-minty-smoky aromas precede rich, blackberry and boysenberry fruit. This continues on the palate gliding along finishing with powdering tannins.

 

2009 Arrowood Sonoma County ($30). Bright cherry, tealeaf and pine scents introduce vibrant red berries, a soft palate, and a finish of fresh tannins.

 

2010 J. Lohr Hilltop ($35). Opens noticeably gravelly and moderately plummy. It’s soft and smooth with succulent fruit and a round finish. Made in an appealing, easy-drinking style.

 

Splurges

 

2009 Duckhorn Howell Mountain ($80). Duckhorn is known for making big, tough, tannic Cabs and this one doesn’t stray too far. Yet, it also reveals an elegance that allows abundant black cherry and currant fruit to emerge along with cocoa and cedar notes. It is inviting now but will drink well for at least ten years.

 

2010 Grgich Hills Napa Valley ($60). Shows a vibrant beam of lively acidity as its core, as is this winery’s style. Around that is built a frame of concentrated cassis and cherry, with hints of earth and dried herbs.  This certified organic and biodynamic wine should please for at least ten years.

 

2008 Dry Creek Endeavour ($65). Big, ripe, with rich oak, deep berry fruit and rich chocolate flavors offset with a loamy note, this one will be at its best in a few years and should have a long future.

 

2010 Duckhorn Napa Valley ($70). Very structured and firm suggesting patience is needed to fully enjoy its already beckoning currant and blackberry fruit, cedar and spice bouquet and lush texture.

 

2010 Cakebread Napa Valley ($60). Enticingly juicy and nicely concentrated red and black fruits are balanced with oak, dried herb and earth notes and finished with fine tannins. This is another one enjoyable now but a candidate for long aging.

 

 

WINERIES WHO CELEBRATE EARTH DAY EVERY DAY

[Featured Image Courtesy of Benziger]

WINERIES WHO CELEBRATE EARTH DAY EVERY DAY

With the approach of Earth Day, many people and businesses turn their attention to issues concerning the environment, sustainability and the connections between generations. It is no different in the wine world. Actually, for many wineries every day is Earth Day. More and more wineries are committing to sustainable practices as their fundamental business model. So why not drink wines that make a difference by giving back to the environment and society?

 

One of the leaders in this movement is the Benziger Family Winery. At Benziger, sustainability is a family affair with around 24 members who live in and around the Sonoma Mountain winery. The winery was established on an 85-acre estate in Glen Ellen in 1980. Soon after, the family became convinced natural techniques yielded more flavorful, aromatic grapes with more site-specific character. Importantly, they found these practices also improved the health of the estate.

 

So, in 1996, they began converting the property into a biodynamic farm that in 2000 became one of the first Demeter-certified biodynamic vineyards in North America. Today, the family owns and farms four certified biodynamic Sonoma County vineyard estates on 168 acres.

 

The Benziger’s also work with their network of growers to extend their approach, requiring that all growers participate in a sustainability program that outlines standards for areas like soil vitality, biodiversity, water conservation and integrated pest management. Today, every wine crafted by Benziger carries a green farming certification from a third party certifier on its front label – sustainable, organic or biodynamic.

I had an opportunity a few weeks ago to have lunch with Jeff McBride, Benziger’s Vice President of Winemaking, and taste several recent releases. McBride joined the Benziger two years ago after more than three decades of winemaking in Sonoma and Washington. It was a delightful, wide ranging conversation. And, of course, I enjoyed the wines. I suggest you try the following wines (and seek out the many others Benziger produces):

2011 Sonoma County Cabernet Sauvignon ($20). Inviting aromas of dark fruits – plum, currant and cherry, black olives and herbs, well structured with nice, powdery tannins and a fresh finish.

2010 Sonoma County Merlot ($19). Pleasant aromas of blueberry and blackberry with a touch of spice, similar flavors and a touch of licorice finish with velvety tannins.

2012 Sonoma Coast Pinot Noir ($29). Really nice aromas of black cherry and light touches of earth, silky palate delivers more cherry, mushroom and light spice.

2011 Sonoma County Chardonnay ($16). Loads of tropical fruit aromas accented with stone fruits like pear and a palate lifted with crisp citrus.

2012 North Coast Sauvignon Blanc ($15). Bright citrus – grapefruit and lime – and herbal aromas and flavors make this a perennially delightful Sauvignon Blanc.

 

Cultivate Wines represent the social aspect of the sustainability movement. The brainchild of noted Santa Barbara wine investor Charles Banks and his wife, Ali, this is a wine company dedicated to putting money back into local community projects by donating a portion of all sales. Cultivate gives back 10 cents of every dollar to help fund projects of opportunity and hope in communities across the globe.

 

They also are members of “1 Percent For The Planet,” an alliance of businesses that contribute at least 1 percent of their net annual sales to environmental organizations helping to protect forests, rivers and oceans, make agricultural and energy production more sustainable, get toxics out of the environment, and more.

 

Two good examples of their wines I tasted recently are sourced from Chile.

2011 Cultivate “Wonderlust” Chardonnay-Moscatell ($13). From the Colchagua Valley, Valle Centrale of Chile, the Chardonnay shows bright citrus and tropical fruit. The small amount of moscatell lifts the aromatics and adds weight to the palate. This is the first time I have seen this combination of grapes but it works!

 

2011 Cultivate “Copa Cabana” Cabernet Sauvignon-Carmenère-Syrah ($13). From Curicó, Valle Centrale of Chile, this blend offers juicy red and black fruits, nice accents of spice and a sensual texture.

 

Recent studies sponsored by The Wine Institute indicate that the sustainable, eco-friendly and socially responsible attributes of wine are increasingly important considerations for consumers when making wine purchasing decisions. Producers who many years ago began transitioning to sustainable practices but were reticent to publicize this over concerns about the poor reputation of early “natural wines” now are learning that socially conscious wine consumers are interested in information about sustainable and environmentally friendly practices in wineries and vineyards.

 

So, increasingly, producers are putting seals, logos or other information about sustainable practices on their bottles, often including third-party certification seals/statements to indicate sustainable, organic, or biodynamic practices. And consumers are responding.

 

So, this Earth Day (and beyond) raise a glass of sustainable wine knowing you can drink well while doing good.

CENTRAL ITALY: SANGIOVESE AND SAGRANTINO ARE CERTAIN TO PLEASE

(Cover Photo: Wikimedia Commons (Matthew Hutchinson)

Montefalco Vineyards

 

Italy is an amazingly varied country and the regions of Tuscany and Umbria are Italy’s heartland, its backbone with the Apennine Mountains running north and south as if the country’s spine.

Tuscany is the most recognizable Italian state to American tourists and wine consumers. The picturesque, hilly countryside that attracts throngs of tourists also is a vinous wonderland. Dozens of grape varieties are grown  but it is sangiovese that dominates seven Chianti subzones. The most widely planted grape in Italy, most agree it reaches its pinnacle in Tuscany.

In general expect black cherry fruit (though various dark berries can show up) and vibrant acidity, with varying elements of earth, forest, herbs, smoke, and spice. With a few notable exceptions, most are medium-bodied and very dry, with a lean, structure finishing with fairly strong tannins. But there are regional variations as different clones are grown under different environments subject to different viticultural and winemaking techniques.

Sangiovese’s best-known incarnation is as the most important component of Chianti. The traditional recipe prescribed blending with various grapes, including white ones. Nowadays the rules have been relaxed and the best wines will be at least three-fourths sangiovese.

Basic Chianti today is much better than the wicker basket stuff that made the wine famous and later infamous in the 1970’s. Since then, improvements in viticulture and winemaking have improved quality considerably. But for a great leap in quality, consumers should turn their attention to Chianti Classico, the specified zone just to the south of Florence stretching to Siena. Wines from this area consistently produce the best Chiantis. Here are some good options from my recent tastings:

Badia a Coltibuono. Badia a Coltibuono (which means Abbey of the Good Harvest) dates to the eleventh century when monks constructed the Abbey and planted the first vineyards. Today, the associated restaurant and cooking school have become world famous and the winery is one of Chianti’s most famous. The 2010 Badia a Coltibuono Chianti Classico ($17) is a classic Chianti showing aromas of wild cherry, forest floor and clove spice. It’s easy drinking yet delivers admirable density, a tight structure and mouthfeel. Notably, it is made with organically grown sangiovese and canaiolo grapes.

 

Castello di Gabbiano. This is another prominent property that dates from the eleventh century. As seems to be common in Tuscany, the property also includes a restaurant and accommodations. But it is the wines from the estate vineyards that interest us here.

• The 2011 Gabbiano Chianti Classico ($12) is the basic, everyday Chianti. And it is flavorful and easy drinking (have less wood influence) with nice cherry and raspberry fruit plus floral and some spice all delivered with vibrant acidity.

• The 2010 Gabbiano Chianti Classico Riserva ($22) comes only from estate grapes and sees more wood in the winemaking process. This yields more mature aromas and flavors – coffee, forest and toast notes, cinnamon – but still delivers enjoyable plum and black cherry fruit; should improve with age.

• The 2010 Gabbiano Chianti Classico Riserva “Bellezza” ($40) is a different creature. It’s certainly Chianti but is made in what I can only think to describe as a modern style. It’s also made using grapes from a single vineyard. “Bellezza” refers to the beauty of the vineyard and also could describe the wine. Oak notes of vanilla, coffee and toast enhance black cherry and blackberry fruit. The substantial tannins need time to integrate but will reward patience.

 

Selvapiana. In my experience, Chianti Rufina is the most reliable after Chianti Classico of the eight Chianti subzones. It has become a favorite for good value. And Selvapiana is one of the subzone’s best producers. The 2010 Selvapiana Chianti Rufina ($17) is a good example of this. A perfumed wine, with tight yet manageable tannins, its bright cherry, floral, tobacco, spice and earth aromas and flavors deliver satisfaction.

 

Tenuta di Arceno. Arceno is located in an area where winemaking is believed to date back to the Etruscans in the eight century B.C. Today it is owned by California’s formidable Jackson Family Estates and the 2008 Chianti Classico Riserva Strada al Sasso ($35), a single vineyard wine, impresses with intense black cherry fruit accented with licorice, spice, and tobacco.

 

Avignonesi. Elsewhere in Tuscany, nearer Siena, the town of Montepulciano is the source of another sangiovese-based wine – particularly a local variant called “prugnolo gentile.” Traditionally the wine was so prized it was favored by royalty. Hence, the name Vino Nobile di Montepulciano. From one of the best producers in the area, the 2010 Avignonesi Vino Nobile di Montepulciano ($29) may be the best overall value in this review. Its deep fruit of cherry, raspberry and blackberry, is accented with hints of chocolate, coffee, and spice. With its rich texture and firm tannins bringing balance, it should develop well.

Piccini. But for many connoisseurs it is the area around nearby Montalcino that is the epicenter for production of great sangiovese wines. Here, Brunello di Montalcino, unlike in Chianti, is made of 100 percent sangiovese (the local clone is called brunello) and by law aged two years in oak and an additional three years in bottle. The wines are big, powerful and highly structured, requiring many years to reach their peak. They also are disproportionately priced. Piccini’s 2007 Villa al Cortile ($50) actually is affordable by comparison. Forest and earth notes of mint, coffee, tobacco, minerals, cola, and black pepper join wild berry and currant fruit all lifted by a firm structure and long finish.

Casanova di Neri. Rosso di Montalcino, typically made of sangiovese from younger vines, tends to be lighter and earlier maturing than Brunello. Maybe this is why it’s often described as a “baby Brunello.” Though not labeled as such, the Casanova di Neri 2008 Sant’ Antimo Rosso di Casanova di Neri ($21) is basically a Rosso di Montalcino. It shows some of that black pepper and cola but with more emphasis on fresh fruit in a lighter frame.

No column about Tuscany would be complete without addressing the Super Tuscan phenomena. In the 1970’s innovators like Piero Antinori bucked the Chianti establishment and used grapes like cabernet sauvignon and merlot in their wines – even though they were not allowed to label them Chianti – because they helped make better wine. With the subsequent success of this approach, many others took notice and began making their own versions. The Super Tuscan moniker soon took hold as a descriptor. Now it seems every Chianti producer also makes a Super Tuscan. The wines can be 100% sangiovese or some blend of sangiovese with grapes like cabernet sauvignon, merlot or syrah.

Marchesi Frescobaldi. Two good examples I tasted recently come from this famed Tuscan family with extensive holdings in the region. From Castello di Nipozzano, another well-regarded Chianti Rufina producer, Frescobaldi produces the single vineyard Super Tuscan “Mormoreto” but only in the best years. The 2008 Castello di Nipozzano “Mormoreto” ($75) combines 60% cabernet sauvignon, 25% merlot, 12% cabernet franc and 3% petit verdot aged two years in French oak barrels. It definitely shows its oak along with red fruits and dark plum. Herbal and spice notes join the rich, dense fruit and firm tannins suggest this wine will evolve for several years.

A bit more affordable is the 2009 Tenuta Frescobaldi di Castiglioni Toscana ($25). The Frescobaldi family has held Tenuta di Castiglioni – located southwest of Florence in Val di Pesa – since the 11th century, with wine being produced here since the early 1300s. Today it houses the family’s main production facilities. Documentation indicates this wine is 50% cabernet sauvignon, 30% merlot, 10% cabernet franc and 10% sangiovese. I really liked its lively fruit and its easy drinking style. Still, it was held together with a firm structure.

Many travelers consider Umbria – the region south of Tuscany (Florence) and north of Lazio (Rome) – to be a “no man’s land,” fly over country (or train throughcountry). Those who take the time to visit the hill towns of the area learn that is a mistake. It’s Tuscany without the crowds. And when it comes to Italian wine, many wine drinkers make a similar mistake. Certainly, the great reds of Tuscany have earned their fame. But there are vinous gems from Umbria that merit serious attention.

As with Tuscany, wine grapes have been grown here since Roman times and there are some interesting red and white wines but it really is the reds that shine. Especially those from the sagrantino grape, a likely indigenous thick-skinned variety that yields an intensely flavored juice with the potential (in the hands of a skilled winemaker) for bold, long-lived wines.

Until recently, it was little known outside of its home base around the city of Montefalco. But that began to change in the 1970’s when Arnaldo Caprai began to resurrect the grape. By the 1990’s, Arnaldo’s son Marco brought Sagrantino di Montefalco to international acclaim.

Today, Arnaldo Caprai is widely considered the most skilled producer of this wine. And 2007 Arnaldo Caprai “Collepiano” Sagrantino di Montefalco ($60)  is a shining example of how fine these wines can be. The gentle hills and clay-limstone soils of the Collepiano area of production sourced this wine of amazing complexity and depth. Notes of tobacco, brown spices and herbs overlay the black cherry and plum fruit that form its inviting core. It’s intense yet drinks balanced and elegant.

Another good example is the 2007 Tenuta Castelbuono Montefalco Sagrantino ($36). Maybe I shouldn’t have been surprised the Lunelli family of Ferrari Trento Metodo Classico fame has owned this property since 2001. This family knows how to recognize and realize potential for greatness. The wine tends toward a rustic style with slightly tougher tannins and a touch of intriguing bitterness in the finish. This is met with abundant wild berry and some forest notes that are sure to please.

So, if you can’t afford the airfare to taste these wines at their source, just pick up a few at your local wine shop, pour a glass, take a sip, close your eyes, and dream.

A CORNUCOPIA OF INTERNATIONAL WINES FOR YOUR HOLIDAY GATHERINGS, PART 4

Red Wines

 

In keeping with my usual imperative to broaden my wine horizons and to look for interesting wines from all over the world, especially during the holidays, I present a wide variety of red wine selections for this fourth and final installment of my special holiday recommendations series. By the way, if you are interested in Pinot Noir or Zinfandel, I recently reviewed several samples of these wines here and here.

 

Australia Rhone-style. I recently came across these four excellent Aussies and even though I plan a comprehensive review of Australian wines in the coming months, I decided I couldn’t wait to turn you to them.

 

2011 Yangarra Grenache McLaren Vale Old Vine ($32). Grenache is the main grape in Chateauneuf-du-Pape and even though the terroir is different, the varietal red cherry and raspberry fruit laden with black pepper spice comes through nicely, as does intriguing earthy notes delivered with a lush texture.

 

2010 Yangarra Shiraz McLaren Vale ($25). Known as Syrah most everywhere else, Australian Shiraz has made a big splash in international markets over the last couple decades; so much so that too much average stuff has flooded stores. Thankfully there still are ample supplies of the greatness this grape can achieve in Australia – like this one. It is quite aromatic with dark berry fruit seasoned with meaty and cocoa accents. In the mouth it is flavorful, rich and lively, with a balance of tannin and fruit to age gracefully.

 

 

2010 Two Hands “Gnarly Dudes” Shiraz Barossa Valley ($35). This is nearly as good as the Yangarra, with floral aromas, dark berries and sort of a smoky note. It is another big, rich wine but with sleek tannins and a fresh finish. Earthy spicy notes provide additional interest throughout.

 

2009 Torbreck “The Steading” Barossa Valley ($38). A classic “GSM” – grenache syrah and mourvedre (also sometimes, as in this case, called mataro) – this one is heavy on the grenache to great effect. Lots of red fruits and brown spices excite the opening then join with a rich, flavorful and firm palate that finishes with plenty of friendly tannins.

 

Blends. A winery’s multi-varietal red blend can be a fun alternative for any occasion. Instead of just the character of one variety, these give you a chance to experience the how different aromas and flavors can come together to make a whole that is better than the sum of its parts.

 

2010 Craggy Range “Te Kahu” Gimblett Gravels Vineyard ($22). This merlot dominated Bordeaux-style blend from the Hawkes Bay region of New Zealand just blew me away, especially at the price and given its origins. Deeply fruited with all sorts of plum, cherry and berry aromas and flavors, merged with mineral and spice qualities. Solid structure and medium body, while smooth tannins liven the engaging finish.

 

 

Troublemaker Blend 7 ($20). This is a fun, big fruited blend of syrah, grenache, mourvedre, zinfandel, and petite sirah from Austin Hope, one of the leading producers in Paso Robles. Notes of tobacco, vanilla and meat add further interest to this versatile wine, good for quaffing and comfortable at the table.

 

I also came across a few really friendly priced blends you will find ideal for cocktail parties, as well as large dinners, or even everyday sipping. I’m not talking huge complexity here, or even huge wines for that matter, just tasty, easy drinking enjoyment.

 

  • 2012 HandCraft “Inspiration Red” California ($13) – an eclectic, fruit forward blend of syrah, zinfandel, merlot, malbec & sangiovese

 

  • 2012 Smoking Loon “Red Loonatic” ($8) – syrah, alicante bouschet, petite sirah, zinfandel, tannat, sangiovese, touriga nacional, tempranillo, pinot noir…wow!

 

  • Spin the Bottle Red Wine ($11) – cabernet sauvignon, syrah and merlot make good companions

 

Miscellaneous Reds

 

2011 Ventisquero “Grey” Carmenere Single Block ($24). Ventisquero’s “Grey” line features all individual blocks from specific vineyards. This Carmenere hails from Block 5 of the Trinidad Vineyard in the Maipo Valley. Loads of black fruits, an earthy note and a touch of creamy oak flow through its aromas and flavors.

 

2009 Pertinace Nebbiolo ($18). It’s been fashionable for years now among wine critics to treat wine coops with disrespect. The conceit is usually that a collective of growers inevitably succumbs to the lowest common denominator, while individual producers are the only ones truly dedicated to excellence. Well, Cantina Pertinace, a cooperative of of twelve winegrowers in the region of Barbaresco, clearly proves this wrong. They produce an enviable line of Barolo, Barbaresco, Babera, Arneis and this enjoyable Nebiolo. Try this taste of the region for less than half the cost of Barolo.

 

2011 Alamos Malbec ($13). Alamos is the result of a collaboration between the great Catena family of Argentina and the great Gallo family of California. Dabs of syrah and bonarda enliven the malbec grown in the higher elevations of Mendoza. The result is

soft and fruity, easy drinking and a great value.

 

2010 Matchbook Tempranillo Dunnigan Hills ($15). Tempranillo, the grape responsible for most of Spain’s finest wines, has always been a challenge to grow successfully in California. But Matchbook seems to have figured out how to make an enjoyable, affordable wine out of it, with touches of tannat and graciano. Aged almost in a combination of American, French and Hungarian oak, this wine exhibits brown spice and cedar to compliment black and red fruits.

 

2011 Stickybeak Toscano IGT ($20). A surprising new collaboration between Australian wine importer Old Bridge Cellars and Italian vintner Alberto Antonini, this wine is a flavorful Sangiovese (with a touch of merlot and, from nearby Maremma, a bit of syrah) from the Tuscan commune of Cerreto Guidi.

 

2011 J. Lohr Estates Valdiguié Monterey ($10). This is a fun wine from a grape primarily grown in the Languedoc-Roussillon. It’s cultivated sparsely in California but J. Lohr has fashioned a grapey, interesting wine using partial carbonic maceration that simulates the drinking experience of a Beaujolais or maybe a light Pinot Noir.

 

2012 Monte Velho Red ($10). This time of year, I’m especially fond of Portuguese table wine. While Portugal is most famous for its great sweet Porto, table wine from the country has become a go-to choice for good values with authentic character.

Portuguese producer Heredade do Esporao has fashioned this excellent value from equal amounts of the indigenous grapes trincadeira, aragonez and castelao.  It’s pretty straightforward but is solid and firm, with tasty fruit.

A CORNUCOPIA OF INTERNATIONAL WINES FOR YOUR HOLIDAY GATHERINGS, PART 3

White Wines

 

This time of year – truthfully all year long – I like to try a wide variety of wines. Certainly Chardonnay remains the most popular wine among consumers. And if you are looking for ideas for the holidays, I previously reviewed a large number of Chardonnays here.

For our purposes in this column, the focus is mostly on the so-called “aromatic whites” – Riesling, Pinot Grigio, and Sauvignon Blanc – along with a mélange of international varieties. Most of the delightful wines in this column are crisp, fruity, and fragrant. For generally reasonable prices, these wines also provide a refreshing combination of acidity and in many cases moderate alcohol – perfect for parties and the variety of foods available during the holidays.

 

Riesling. My favorite white wine, a good Riesling is enticingly aromatic with bracing acidity and typically green apple, citrus and stone fruit flavors. Most intriguing, there often is a distinctive mineral component. The wines below provide at least some sweetness, unless otherwise indicated.

 

2012 Thomas Schmitt Private Collection Spatlese ($16). Nice green apple with hints of steel and stone. Light and soft and pretty with a good balance of sweetness and acidity.

 

2012 Thomas Schmitt Private Collection Kabinet ($14). Similar to the Spatlese but lighter and less sweet; nice sipper and versatile.

 

2012 Beast “Sphinx” Wallula Vineyard Columbia Valley ($25). From the U.S., I especially enjoy Washington State Riesling these days. This one, made with grapes from a biodynamically farmed vineyard, is aromatic, flavorful and dry – and excellent.

 

2010 Brooks “Ara” Willamette Valley ($25). Another very dry wine, the Ara is nicely citrusy and sports bracing acidity.

 

Other good options:

 

  • 2012 J.Lohr Estates Bay Mist White Riesling ($10)
  • 2012 Martin & Weyrich “Allegro” Riesling ($12)
  • 2012 Fess Parker Riesling Santa Barbara County ($14)
  • 2012 Kendall-Jackson “Vintner’s Reserve” Riesling Monterey County ($13)
  • 2011 Woodbridge (by Robert Mondavi) Riesling ($8)

 

Pinot Gris/Grigio. Pinot Gris, the so-called “grey pinot,” reaches its epitome in Alsace and can be quite fine in Oregon but I found the 2011 La Crema Pinot Gris Monterey County ($20) to be impressive in its own right. Citrus, lime and honeydew present with a body of some weight and richness of texture.

 

Pinot Grigio, usually indicating the lighter Italian style, is best known among Americans. Typically, it tends to fresh citrus and melon carried in a brisk, yet easygoing frame. The following wines, listed in order of preference, all are worth trying:

 

  • 2012 Franz Keller Schwarzer Adler ($25)
  • 2011 Francis Coppola “Diamond Collection” ($16)
  • 2012 Oak Grove California ($8)
  • 2012 Pepi California ($10)
  • 2012 McManis California ($10)
  • 2011 Murphy-Goode California ($13)
  • NV Camelot California ($7)

 

Sauvignon Blanc. The brisk acidity, zesty white and green fruits (often grapefruit or gooseberry) and distinctive herbaceousness of Sauvignon Blanc enable this wine to pair with multiple foods. The 2012 Matua Valley Estate Series Paretai Marlborough ($17) was my favorite of this group for its green apple, grapefruit, citrus, and strong green herb notes. It is fairly full and nicely concentrated, yet balanced. The following also are enjoyable:

 

  • 2013 Matua Valley Sauvignon Blanc Marlborough ($12)
  • 2012 Pepi California ($10)
  • 2012 Tin Roof California ($10)
  • 2012 Oak Grove California ($8)

 

Pinot Blanc. A wine that often is mistaken for Chardonnay, Pinot Blanc shows its own charms, as with these two. The 2012 Franz Keller Schwarzer Adler ($25) reveals nice stone fruits and intriguing “wet rocks” minerality. The 2010 Brooks “Runaway White” ($15), a blend of two Oregon vineyards, has nice apple and citrus in a juicy and lively frame.

 

Blends. A winery’s multi-varietal blend also can be a fun alternative. Instead of just the character of one variety, these give you a chance to experience the how different aromas and flavors can come together to make a whole that is better than the sum of its parts. Two eminently affordable examples of this include the 2012 HandCraft “Inspiration White” ($13). This is a vibrant, aromatic blend of riesling, sauvignon blanc, viognier, moscato and pinot grigio. Even more affordable is the 2012 Smoking Loon “White Loonatic” ($8), a fruit-forward, approachable blend of viognier, chardonnay, muscat, and symphony.

 

Spain. The Rueda region in north central Spain not far from the great Ribera del Duero region has long been considered the source of Spain’s favorite white wines. Verdejo, the indigenous varietal of the region, produces wines with a nice balance of minerality and acidity. The crisp Verdejo wines of Rueda carry a hint of herbs with notes tropical and stone fruit. The 2012 Oro de Castilla Verdejo ($12) emphasizes tight citrus, lime and steely notes, while the 2012 12 Linajes Verdejo ($12) shows similar citrus but also apple, fennel and savory notes.

 

Viognier. One of three esteemed white Rhone varietals – along with Roussanne and Marsanne – Viognier can offer the richness of Chardonnay with exotic, tropical fruits. This is typically a pretty expensive wine but the 2012 McManis ($11) and 2012 Oak Grove ($8) both offer a sense of that experience for very affordable prices.

 

Other Whites. I don’t want to close without turning you on to a few fine southern European whites to add some variety to your holiday palates.

 

  • 2012 Rocca Sveva Soave Classico ($17), citrus – oranges and lemons – and stone fruit in a light but pleasing sweet/tart drink
  • 2012 Monte Velho White Alentejano ($10), this light blend of native roupeiro, antao vaz, and perrum varieties reminds me of fruit salad with touches of caramel and butterscotch
  • NV Memoro Vino Bianco D’italia ($10), intriguing blend of French and Italian grapes  – viognier, chardonnay, vermentino, and pecorino – fun for sipping

A CORNUCOPIA OF INTERNATIONAL WINES FOR YOUR HOLIDAY GATHERINGS, PART 2

Sweet Wines

 

I love Porto, period. Yes, it’s sweet, often very sweet. And it’s red! And this time of year I just can’t resist it. There are a variety of styles, so it can be confusing trying to decide which to buy. A good place to start is with a Ruby Port, the youngest and most accessible Port. Aged three years in large vats to retain freshness, expect straightforward, grapey fruit. Fonseca Bin No. 27 ($21) – quite intense with lively red fruits and good structure – is a fine representative of the type.


Late Bottled Vintage Port is made from good wines of a single year that didn’t quite make the cut for Vintage Port. But, after aging four to six years, it is ready to drink upon release and offers a sense of why Vintage Porto is so prized by connoisseurs. The 2007 Taylor Fladgate Late Bottled Vintage Porto ($22) is notable for its full body and blackberry fruit balanced with good acidity and soft tannins.


Tawny Port is known less for power and concentration than for complexity, purity of fruit and finesse. Tawnies are blended wines and the best indicate an average age. Expect admirable balance, elegance and complexity. The Taylor Fladgate 10 Year Old Tawny Porto ($35) presents pure vibrant fruit, hints of almonds, and fine balance.

 

There also are some interesting Port-style wines being produced in California. One I enjoyed recently is the 2008 Pedroncelli Four Grapes Port ($20). While many California producers make their Port-style wine using zinfandel, this wine uses the traditional Portuguese grapes Tinta Madera, Tinta Cao, Souzao, and Touriga Nacional. A little on the rustic side, it nicely conjures the character of a Ruby Port.

 

I also am aware many people this time of year host large holiday parties and, in an effort to offer a variety of wine drinking options to appeal to all their guests, look for sweet accessible wines for uncritical drinking. Here’s where wines like those from Sequin ($12) come in handy. Sweet and “delicately bubbled,” these wines can be sipped on their own or serve as a base for wine cocktails. There is a Rose, Pinot Grigio and Moscato.

 

Speaking of Moscato, if you like the sweet but not the bubbles, Smoking Loon’s 2012 “Blue Loon” Moscato ($8) might be right for you. It’s soft, fruity but not cloying with nice aromas and flavors reminiscent of fruit salad.

A CORNUCOPIA OF INTERNATIONAL WINES FOR YOUR HOLIDAY GATHERINGS, PART 1

 

With all its holidays – Hannukah, Christmas, Kwanzaa, New Year’s Eve (at least) – and the associated company parties, family gatherings, and sundry holiday parties, the month of December may be the biggest month of the year for wine drinking opportunities. This situation presents consumers with opportunities and challenges – obviously many opportunities to drink various wines but equally as many challenges in deciding which wines to drink. With this in mind, I have organized this column basically as a shopping list to assist you in making those decisions.

 

First Up:Bubbly

 

More than any other wine, this time of year I look to sparkling wine as my first choice – whether it’s called Champagne, Cremant, Sekt, Prosecco, Cava, Spumante, or something else – and certainly it’s the prime choice for celebrations of all types. Of course, Champagne sets the standard an NV Brut is the most widely enjoyed style.  Really good choice here is the Laurent-Perrier NV Brut ($40) Its high proportion of chardonnay (50%) makes for a lively, fresh and elegant sparkler.

From Italy, Prosecco has achieved significant popularity in recent years and the Mionetto NV Brut Treviso ($14) is a solid example – fresh, pure and fruity. Another good choice is the Piccini NV Extra Dry ($16), which, despite its designation, actually reveals a bit of residual sugar. But it is hard for me to pass up the “Metodo Classico” of Ferrari, which grows it grapes on hillside vineyards in the foothills of the Alps not far from Lake Garda and makes it bubble using the Champagne Method. Their 2006 Ferrari Perlé ($35) – 100% chardonnay and aged five years – is elegant and refined.

And how about a “Methode Traditionelle” Sekt from Germany? I heartily recommend the 2008 Raumland Blanc de Noirs Vintage Brut Cuvee Marie-Louise ($45). A great surprise, this wine shows a lot of verve and esteemed character of 100% chardonnay.

Of course, there also are several excellent sparkling options from California. One of my favorite producers these days is Letitia in the Arroyo Grande Valley. The Laetitia NV Brut Cuvee ($25) is an enticing blend of pinot noir, chardonnay and pinot blanc, while the 2009 Laetitia Brut Rosé ($30) shows the enticing fruit and lush body of its pinot noir/chardonnay blend. If price is a major consideration, the Barefoot Bubbly line of sparklers always presents good values. At $10 a bottle, whether its for a cocktail party, toasting the New Year, or mimosas for a holiday brunch, Barefoot is the right bubbly.

RIDGE LYTTON SPRINGS, THE EPITOME OF ZINFANDEL

FROM MY CELLAR:

 

Zinfandel is a curiously underappreciated variety. Forty years after its renaissance I still find myself having to explain to family, friends and acquaintances what it is, let alone just how great it can be. Even among my wine loving associates I am one of the few to list it among my favorite varieties.

 

So, I have made it part of my mission as a wine writer to sing its praises and have done so for all of the twenty years I have been writing about wine. I recently tasted more examples of what the grape can produce in California. I have a post on the website reviewing some impressive Zinfandel wines I tasted recently. In this post, I turn you on to the pleasures of the 2004 Ridge Vineyards “Lytton Springs” ($33 upon release in 2006).

 

It is worth noting that although the wine is 79% Zinfandel, 18% Petite Sirah, and 3% Carignane, the label focuses the vineyard. This is a common practice at Ridge, as CEO/Winemaker Paul Draper (who has been at Ridge over fifty years and is recognized as one of the world’s great winemakers) is known for his emphasis on site-specific wines. And Lytton Springs is not just a great zinfandel vineyard; it has been identified as one of the great vineyards in the world. We shouldn’t be surprised it is located in the Dry Creek Valley, which is well known as one of the most hospitable places to grow zinfandel.

Lytton Springs lies just north and west of Healdsburg on benchland and rolling hills. It benefits from foggy mornings followed by by warm, sunny afternoons and cool evenings. This and the not particularly fertile gravelly clay soils ensure that the grapes ripen slowly and achieve a balance that often proves elusive in other zinfandel vineyards.

 

Ridge had purchased Lytton Springs grapes beginning in 1972; then over the years took opportunities to buy various blocks until by 1995 they owned the complete estate including the winery. Sustainable and organic practices are followed in the vineyard and the winery. For instance, the new winery emphasizes energy conservation, solar energy, and environmentally sustainable construction materials.

 

In the vineyard, Lytton Springs supports 100 plus-year-old zinfandel vines planted in a “field blend” with petite sirah, carignane, mataro (also known as mourvèdre), and grenache. Draper’s and Ridge Vice President of Winemaking-Lytton Springs John Olney’s respect for the site is evident in the sustainable farming practices and moving it toward organic certification. This respect also means they maintain the field blend and focus on harvesting the grapes at optimal ripeness (too many wineries today harvest overripe grapes) to achieve wines that balance fruit and soil characteristics with manageable tannins and alcohol. Although Zinfandel can reach extremely high alcohol, this 2004 wine came in at an elevated but reasonable 14.5%.

 

The 2004 Lytton Springs is a beacon of what the zinfandel grape can achieve when grown in the right place and crafted by the right hands. Each variety and each lot were fermented separately with the natural yeast and the wine was allowed to undergo natural malolactic fermentation. After light egg white fining, it was aged on the lees and spent thirteen months in air-dried American oak.

Even at nine years of age the wine was still fresh and vibrant when I tasted it. Its aromas opened with pure brambly blackberry, accented with caramelized wood notes and hints of stone, and finished with a whiff of black pepper. Its beautiful, sweet tasting fruit was delivered in an excellently firm structure and a seamless texture that allowed the wine to slide deftly across my palate. The wine finished full and rich, with still some tannin. It easily could have kept for a few more years. After time in the glass, hints of black licorice emerged in the nose and especially the mouth.

 

I have been drinking Lytton Springs since the 1970’s (and every vintage since 1990) and the great balance of varietal fruit and terroir this 2004 delivered in an elegant, yet concentrated wine makes this one of my favorite Lytton Springs.

 

THE INFINITE MONKEY THEOREM: URBAN WINERY SETS THE STANDARD FOR COLORADO WINE

The Infinite Monkey Theorem (IMT) is an urban winery located in the emerging (some say “hip”) RiNo (River North) district of Denver, Colorado. The Infinite Monkey Theorem also is a thought experiment that some have suggested dates as far back as Aristotle. In its simplest form, it basically postulates that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually type something intelligible.

1979 album from the great British Rock group

IMT (the winery) Founder and Winemaker Ben Parsons apparently chose the name because he saw it as an apt metaphor for winemaking. A winemaker essentially takes grape juice; puts it through various treatments; makes certain adjustments; and then hopes it ultimately turns into a delicious finished product.

 

While the probability of the theorem ever being proved is highly questionable (remember, it requires infinity), it’s relevance is vindicated with every new vintage of IMT wine. The winery just celebrated its fifth anniversary and in this short time arguably has garnered more attention and accolades than any other Colorado winery.

 

I had tasted several of the wines before and even attended their legendary “S’wine at the Mine” event at the Food & Wine Classic in Aspen. I also was aware IMT, since its beginning, has made a name for being an innovator and skilled at marketing. This includes its attention grabbing labels and embrace of alternative packaging – namely cans, kegs, and growlers.

 

So, I decided it was time to visit the winery itself. Ben wasn’t around the day I was there but I enjoyed the company of the assistant winemaker Adam Teitelbaum.

 

The winery is housed in a 29,000-square-foot building that used to be the home of a weatherization agency. Today, it is a central member of a rapidly developing neighborhood. This space has allowed IMT to develop its consumer program to include tours, barrel tastings, and service in the Wine Lab tasting room, as well as private events (like a VIP party for the US Pro Cycling event) and weekly open-house parties. It was explained IMT seeks to be in tune with the younger demographic that is coming to characterize the neighborhood, which translate to various efforts to make wine more accessible and fun.

 

 

 

Adam explained, being an urban winery means being deeply involved with its neighborhood. IMT also hosts a regular schedule of community events, often partnering with local restaurants to provide the food. This past summer included live music for
 “First Friday Art Walk”, “Third Thursday Summer Supper & Song”, and painting and yoga classes. There is even a garden on the premises that supplies produce for a local restaurant. IMT also partners with The University of Colorado Cancer Center, donating a portion of all sales to cancer research.

 

The winery also has demonstrated its commitment to Colorado, using almost exclusively grapes from the Grand Valley on Colorado’s Western Slope, not to mention a willingness to experiment with lesser known grape varieties and blends. Adam showed me a good example of this during the tour: resting bottles of (what the winery says is Colorado’s first) Champagne Method sparkling wine, made with Colorado-grown albariño grapes, and just waiting to be hand riddled.

 

IMT will produce about 10,000 cases for the 2012 vintage from 146 tons of grapes. The location has the capacity to produce 25,000 cases from 400 tons of grapes. In the meantime, we tasted through some very good wines. My notes follow.

 

2012 Sauvignon Blanc & Semillon ($20) – green apple and citrus given more intrigue with lightly smoky and pleasantly chalky elements, held up with refreshing acidity

 

2012 Cabernet Franc ($25) – opens with floral, red plum, cassis, and spice that all carry over into a tasty drink showing the promise for this grape in Colorado

 

2012 Syrah ($25) – enticing blackberry fruit with added complexity from mineral, leather, and pepper notes, this is a rich wine, with a luscious texture and solid structure; this was my favorite sample; and it’s sealed with glass stopper; really cool

2013 Syrah fermenting in open top container

The Blind Watchmaker series is the winery’s signature line. I assume it is named after the book “The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe without Design” by evolutionary biologist Richard Dawkins. Unfortunately, I didn’t get a chance to pursue with my guide the relevance of this idea to IMT’s winemaking. Maybe next time. Regardless, the two wines reveal a design to please even the mot discriminating drinker.

 

2012 The Blind Watchmaker White ($25) – viognier and roussanne blend, aged nine months in neutral oak, showed nice butterscotch, honeysuckle and tropical fruits with good structure holding it all up

 

2012 Blind Watchmaker Red ($25) – petit verdot and merlot lead the blend with cabernet franc and syrah plus a dollop of viogier, blackberry, cherry and blueberry are wrapped in vanilla, followed by a whiff of graphite, solid fruit in the mouth flows along a seamless frame

 

IMT also produces varietal Riesling, Chardonnay, Verdelho (that’s right, the Portuguese grape), Petite Sirah, Petite Verdot, Black Muscat, Semillon, Malbec and a Rose, and just introduced its first dessert wine, a 2012 Orange Muscat.

 

The premier blend of the portfolio is the “100th Monkey,” a creative blend of cabernet franc, syrah, petite sirah, and malbec that has received high marks in national wine publications. The “hundredth monkey effect” refers to the proposition that once enough people adopt an idea or action, it can reach a threshold or critical mass that suddenly becomes accepted practice in the broader society. The idea has been promoted in popular culture through such works as Douglas Adams’ “The Hitchhiker’s Guide to the Galaxy” and Ken Keyes, Jr.’s “The Hundredth Monkey.”

 

It is another fitting metaphor, as the folks at IMT seem to be operating on the principle that if they can attract enough people to try their wine, a tipping point will be reached and pretty soon everyone will be drinking it.

FROM MY CELLAR

FROM MY CELLAR

 

2006 Mayacamas Chardonnay Napa Valley – Mt. Veeder ($35 on release)

This wine is all about delicious subtlety and balance. It reveals aromas of pure lemon and a suggestion of white peach with a layer of butterscotch and a steely note. These qualities carry over in the mouth where they are joined by stony (maybe flinty) qualities and nutty notes. It’s all delivered in a structure that is firm and crisp and picks up some viscosity midpalate, but stays light on its feet.

 

Those of you who prefer big, buttery Chardonnays may not like this as much as I do. I like some of those wines, too. But I find this Mayacamas much more satisfying. Everything is in proportion and no quality is overbearing.

 

The thin, rocky volcanic soil at Mayacamas’ mountain vineyard and the comparatively mild summers and but cold winters are conducive to high acid, intensely flavored grapes. In the cellar, this wine was spared malolactic fermentation and aged six months in larged American oak, then a year in smaller French oak barrels. It is typical for Mayacamas’ Chardonnays to reach maturity at five to eight years of age. And this one seems to have hit the mark right on schedule.